Destroy Me

Read Destroy Me for Free Online

Book: Read Destroy Me for Free Online
Authors: Tahereh Mafi
hates me.
    She hates me and I repulse her and I might never see her again, and it is entirely my own doing. This notebook might be all I have left of her. My hand is still hovering over the cover, tempting me to open it and find her again, even if it’s only for a short while, even if it’s only on paper. But part of me is terrified. This might not end well. This might not be anything I want to see. And so help me, if this turns out to be some kind of diary concerning her thoughts and feelings about Kent, I might just throw myself out the window.
    I pound my fist against my forehead. Take a long, steadying breath.
    Finally, I flip it open. My eyes fall to the first page.
    And only then do I begin to understand the weight of what I’ve found.
     
    I keep thinking I need to stay calm, that it’s all in my head, that everything is going to be fine and someone is going to open the door now, someone is going to let me out of here. I keep thinking it’s going to happen. I keep thinking it has to happen, because things like this don’t just happen. This doesn’t happen. People aren’t forgotten like this. Not abandoned like this.
    This doesn’t just happen.
    My face is caked with blood from when they threw me on the ground, and my hands are still shaking even as I write this. This pen is my only outlet, my only voice, because I have no one else to speak to, no mind but my own to drown in and all the lifeboats are taken and all the life preservers are broken and I don’t know how to swim I can’t swim I can’t swim and it’s getting so hard. It’s getting so hard. It’s like there are a million screams caught inside of my chest but I have to keep them all in because what’s the point of screaming if you’ll never be heard and no one will ever hear me in here. No one will ever hear me again.
    I’ve learned to stare at things.
    The walls. My hands. The cracks in the walls. The lines on my fingers. The shades of gray in the concrete. The shape of my fingernails. I pick one thing and stare at it for what must be hours. I keep time in my head by counting the seconds as they pass. I keep days in my head by writing them down. Today is day two. Today is the second day. Today is a day.
    Today.
    It’s so cold. It’s so cold it’s so cold.
    Please please please
     
    I slam the cover shut.
    I’m shaking again, and this time I can’t stop it. This time the shaking is coming from deep within my core, from a profound realization of what I’m holding in my hands. This journal is not from her time spent here. It has nothing to do with me, or Kent, or anyone at all. This journal is a documentation of her days spent in the asylum.
    And suddenly this small, battered notebook means more to me than anything I’ve ever owned.

Ten
    I don’t even know how I manage to get myself back to my own rooms so quickly. All I know is that I’ve locked the door to my bedroom, unlocked the door to my office only to lock myself inside, and now I’m sitting here, at my desk, stacks of papers and confidential material shoved out of the way, staring at the tattered cover of something I’m very nearly terrified to read. There’s something so personal about this journal; it looks as if it’s been bound together by the loneliest feelings, the most vulnerable moments of one person’s life. She wrote whatever lies within these pages during some of the darkest hours of her seventeen years, and I’m about to get exactly what I’ve always wanted.
    A look into her mind.
    And though the anticipation is killing me, I’m also acutely aware of just how badly this might backfire. I’m suddenly not sure I even want to know. And yet I do. I definitely do.
    So I open the book, and turn to the next page. Day three.
     
    I started screaming today.
     
    And those four words hit me harder than the worst kind of physical pain.
    My chest is rising and falling, my breaths coming in too hard. I have to force myself to keep reading.
    I soon realize there’s no

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