Dead Men's Hearts
they were merely caught up in the cloth. These remains have been gnawed on by small animals, and dragged here and there across the ground. Is it surprising they became trapped in the cloth? Show them the numbers, Gabra.”
    The sergeant, some ten years older than his superior, squatted at the tangle of bones and cloth and gently turned the bones over. In the same faded ink, in the same precise, spidery, old-fashioned hand, F4360 had been written on the humerus and on the back of the scapula.
    “It’s on all the bones?” Haddon asked.
    “Yes, sir, all bones with big sizes,” said Gabra. “I think this lady’s conclusion must be so. See how brown and dry are the bones? From olden times, assuredly.” His English was less orthodox than the major’s, but livelier.
    Haddon turned grimly to TJ. “I think we’d better see what your husband has to say about this.”
    TJ nodded, but she didn’t hold out any hope that Jerry would be able to shed much light on things. They had both come to Horizon House seven years earlier, hired as a team; TJ as a staff archaeologist and Jerry as administrator of the extensive library. It had taken four months before he’d happened to notice that his official title was librarian/registrar, and when he’d asked Haddon what that meant, he’d learned that he was also in charge of the old collection of artifacts and skeletal remains—at least to the extent that anyone was in charge. In reality, neither Haddon nor anyone else (including Jerry) gave much of a damn about it.
    Even TJ didn’t. The fact was, it wasn’t much of a collection. Ninety percent of it had been excavated in the 1920s by the famous—to some, the infamous—Cordell Lambert. Those had been the days when most Egyptologists were still glorified grave-robbers, and Lambert, an Arizona copper magnate turned ardent archaeologist in his fifties, was even less well-trained than most. Objects had been torn out of the ground with no concern for stratigraphy or relationships. The few really extraordinary pieces had found their way into museums and private collections outside of the country; the best of the rest had been commandeered by the Egyptian government; and whatever was left had been exhibited in Lambert’s “museum” for a few years and then gone into storage to be forgotten.
    The el-Fuqani skeletal collection was squarely in the last category. Crudely dug up and primitively processed, it had been placed in storage in 1927 and lain there ever since, exciting no interest, scholarly or otherwise. Why anyone would take the trouble to remove one of them and toss it into the junk pile was anybody’s guess.
    They found Jerry in his office off the library reading room. When he was told that the mysterious remains were apparently those of a Bronze Age man from the time of Userkaf, first pharaoh of the Fifth Dynasty, he too burst out laughing, which didn’t appear to improve Saleh’s mood any, or Had-don’s either. But a discreet gleam of amusement appeared to play about Sergeant Gabra’s dark eyes.
    “And how did they get there?” the director asked crossly.
    Jerry shook his head blankly. “Don’t ask me.”
    “Perhaps we could now go and see where this collection is kept?” Saleh said, civil but manifestly impatient.
    “Sure,” Jerry said, “you bet, good idea.” He unfolded his skinny frame from behind the desk. “Right this way.”
    He took them across a path to the modest but roomy structure known as the annex. It had been constructed by Lambert as his museum, but it had been decades since it had served as anything but a workspace and a repository for bones and artifacts.
    As they entered Jerry grasped TJ’s wrist and spoke in a whisper. “Where is this stuff, exactly?”
    She laughed. “Are you serious? You don’t know where the el-Fuqani material is? You’re supposed to be the registrar.”
    “Listen, I’m lucky I know
what
it is.”
    “Back of the storeroom off Workroom A,” she told him.
    As they

Similar Books

Chancy (1968)

Louis L'amour

Furious

Susan A. Bliler

Anglo-Irish Murders

Ruth Dudley Edwards

ForsakingEternity

Voirey Linger

Weapon of Fear

Chris A. Jackson, Anne L. McMillen-Jackson