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with our ancestors.’
    She laid the vial aside and with a jerk ripped open the bodice of her robe. Despite the heat, chill bumps roughened her small breasts as the breeze struck suddenly exposed, damp skin. She reached up and again ripped her gown, as ancient traditions were followed. With the second tear she cried out, a halfhearted sound, little better than a whimper. Tradition demanded the show of loss before her ancestors.
    Again she tore her robe, ripping it from her left shoulder so it hung half to her waist. But the shout that followed held more anger at her loss than sorrow. With her left hand she reached up and tore her gown from her right shoulder. This time her sob was full-throated as pain erupted from the pit of her stomach.
    Traditions whose origins were lost in time at last triggered a release. All the torment she had held in check came forth, rushing up from her groin through her stomach and chest to issue from her mouth as a scream. The sound of a wounded animal rang in the glade as Mara gave full vent to her anger, revulsion, torment and loss.
    Shrieking with sorrow, nearly blinded with tears, she plunged her hand into the almost extinguished brazier. Ignoring the pain of the few hot cinders there, she smeared the ashes across her breasts and down her exposed stomach. This symbolized that her heart was ashes, and again sobs racked her body as her mind sought final release from the horror left by the murder of her father, brother, and hundreds of loyal warriors. Her left hand shot out and grabbed dirt from beside the natami. She smeared the damp soil in her hair and struck her head with her fist. She was one with Acoma soil, and to that soil she would return, as would the spirits of the slain.
    Now she struck her thigh with her fist, chanting the words of mourning, almost unintelligible through her crying. Rocking back and forth upon her knees, she wailed in sorrow.
    Then she seized the tiny metal dagger, a family heirloom of immense value, used only for this ceremony over the ages. She drew the blade from its sheath and cut herself across the left arm, the hot pain a counterpoint to the sick ache in her chest.
    She held the small wound over the pool, letting drops of blood fall to mix with the water, as tradition dictated. Again she tore at her robe, ripping all but a few tatters from her body. Naked but for a loincloth, she cast the rags away with a strangled cry. Pulling her hair, forcing pain to cleanse her grief, she chanted ancient words, calling her ancestors to witness her bereavement. Then she threw herself across the fresh soil over the place of interment and rested her head upon the family natami.
    With the ceremony now complete, Mara’s grief flowed like the water streaming from the pool, carrying her tears and blood to the river, thence to the distant sea. As mourning eased away pain, the ceremony would eventually cleanse her, but now was the moment of private griefwhen tears and weeping brought no shame. And Mara descended into grief as wave after wave of sorrow issued from the deepest reservoir within her soul.
    A sound intruded, a rustling of leaves as if someone moved through the tree branches above her. Caught up in grief, Mara barely noticed, even when a dark figure dropped to land next to her. Before she could open her eyes, powerful fingers yanked on her hair. Mara’s head snapped back. Jolted by a terrible current of fear, she struggled, half glimpsing a man in black robes behind her. Then a blow to the face stunned her. Her hair was released and a cord was passed over her head. Instinctively she grabbed at it. Her fingers tangled in the loop that should have killed her in seconds, but as the man tightened the garrotte, her palm prevented the knot in the centre from crushing her windpipe. Still she couldn’t breathe. Her attempt to shout for aid was stifled. She tried to roll away, but her assailant jerked upon the cord and held her firmly in check. A wrestler’s kick learned from