always worked with at least one other Krewe agent, but it sounded as if he was being sent on his own.
He knew there were other Krewe agents who came from Louisiana, even if they didnât come from West Feliciana Parish. Jude McCoy, another recent addition to the Krewe, had been an agent in New Orleans before he joined the Krewe.
âIf you find something, Iâll head down with Jude McCoy by the end of the week,â Jackson said, as if heâd read Ethanâs mind.
âAll right,â Ethan said. He hesitated and then shrugged. He might as well just throw it out there. âI love this job. Iâm ready to go wherever the assignment leads, do whatever needs to be done. You know that. But Iâm surprised. There are other agents whoâve been with the Krewe a lot longer than I have. Even Jude. Heâs pretty new, but not as new as me. Weâve even become friends because weâre both from Louisiana. The Krewe started out in New Orleans. So...not to take anything away from my own abilities, but...why me?â
âWe were specifically asked if you were available,â Jackson said, his light eyes, so striking against his dark hair and tanned flesh, hard on Ethan.
âBy?â Ethan asked.
âA woman who found one of the bodies. She spoke with some friends of hers with connections here, and they made a persuasive case. Sheâs a local actress, name of Charlene Moreau.â
âAh.â Ethan hoped that the memories suddenly flooding through him werenât visible on his face.
âYou do know her, then?â Jackson asked.
âI did know her,â Ethan said. âWhen we were kids. And I know of her now. Iâve seen her on a new cop show theyâre filming down there, and in a couple of commercials. I havenât actually seen her, though, since I was nineteen. She must have been fifteen or sixteen.â
âHow close were you?â Jackson asked.
How close?
Jackson must have seen his confusion, because he went on.âWhen weâre young, weâre often more open to whatâs around us, to seeing the kinds of things we here in the Krewe see every day.â
Ethan remembered being home from college, talking on the phone to his mother about something boring like his laundry. He was already taking criminology courses, and his mother brought up the killings that had occurred just north of Baton Rouge and how people were growing nervous in the entire area around the capital city.
And then heâd seen the soldier at the window. A Confederate cavalry officer. The man had seemed to be beckoning to him, and at first heâd naturally thought the man was a lost reenactor needing help.
But the soldier had led him across fields, pausing only to glare at Ethan when Ethan stopped, irritably demanding that the ghost explain what he wanted. Somehow Ethan felt compelled to follow him despite his silence and his strange behavior.
In the end heâd followed his spectral guide to Grace Episcopal Church.
That was when heâd seen Charlene Moreau. Sheâd been tied to a gravestone.
Her head was bent as she pulled against the knots thathad held her there, and despite the situation sheâd been ethereally beautiful in the moonlight, hair tumbling over her shoulders, a flesh-and-blood version of the worn stone angel that stood over a nearby grave with her head bowed deep in prayer.
Ethan pulled himself back to the present when Jackson spoke.
âApparently Ms. Moreau is friends with Clara Avery and Alexi Cromwell, two young actresses I know from previous cases. Theyâre here in our area at the moment, involved with Adam Harrisonâs theater projectâheâs restoring a historic theater and has hired them to deal with creative managementâalthough theyâre both from the New Orleans area originally. Both of them are also giftedâor cursedâthe same way we in the Krewe are.â He paused, then went on. âAnd
Piper Vaughn & Kenzie Cade