interest in the vessel, but couldn’t even recall exactly what. When I challenged him on it, admittedly not very aggressively, he’d reclined in his club chair and said something about sailors and superstition, and had then gone back to the more compelling business of reviving his dead cigar. Even Suzanne was really no more forthcoming. She had heard of the boat, she said, in connection with some act of violence at some gathering in the late 1930s of casino gamblers off the coast of Cuba. But, gently pressed, she could not remember the name or the nationalities of the people involved, or even the port concerned. ‘Maybe that’s the curse of the
Dark Echo
,’ she said, joking. ‘Maybe it afflicts its victims with amnesia and they keep coming back for more.’ She pulled a ghoulish face and shook her hair like a banshee.And incredible though it now seems to me, we both of us laughed.
The first mishap at Frank Hadley’s boatyard was mundane enough. The surviving portholes had been carefully removed. Those not beyond restoration were to be bathed in acid to remove the corrosive stains and then brought back by polishing to their original lustre. But first, the shattered fragments of glass needed to be chiselled out of them. Even this job was done fastidiously, though, because the porthole glass, each individual circular pane, would have to be moulded and cut and polished by a craftsman. It was important not to damage the soft brass housing while removing the tough glass chips and shards.
An apprentice glazier cut himself chiselling out porthole glass. Nobody thought anything of it. But the wound became infected. The boy developed a high temperature and was taken to hospital where his condition swiftly worsened. He was admitted. And then he was moved to a critical bed with a vicious case of septicaemia. He was young and strong, a Sunday footballer on the brink of a semi-professional career. But he did not look any kind of athlete when the ventilator was required for him in his hospital bed, his gashed hand a grotesque, swollen thing suspended above a body so stricken with paralysis that it could not breathe for itself.
The boy recovered. The swelling subsided and the infection receded. After a week, he was allowed home. But he did not return to his work on the portholes of the
Dark Echo
in the workshop of a glazier’s business subcontracted to Hadley’s boatyard. He telephoned his old boss and said that he would never cut glass again. Nor, he swore vehemently, would he ever again allow glass to cut him.
The second accident took place at the boatyard itself and was much more serious. A carpenter was planing a length of replacement deck planking. It was hardwood, of course,high-grade teak sourced at great expense by my publicity-conscious father from a sustainable source. Either the wood hadn’t quite been seasoned properly and had retained sufficient moisture to stick under the blade, or there was a knot in the burr that had gone unnoticed. But the carpenter, of course, was using original tools. And fashioning hardwood, however skilled you are and however honed your tools, requires a degree of physical force. Either way, the blade of the plane shattered and a steel splinter pierced the carpenter’s eye. It was a nasty injury, an agonising disfiguration that cost him fifty per cent of his sight and would impair his ability to do high-spec work for the rest of his professional life.
So far, so unfortunate. But the third accident, a shocking tragedy, sort of put the seal on things. And this one happened with my father actually present at Frank Hadley’s boatyard.
They were pulling the root of the old main mast from its foundation at the centre of the hull, raising it clear of the superstructure through the deck. It was an operation a little akin to removing a rotten tooth. The mast itself was not rotten. But it was broken and beyond repair and had to be replaced. A crane had been positioned to pull the root cleanly out