would have scuppered our intended voyage before departure from dry land. What we needed afloat was competence from one another, not first-hand evidence of its comic opposite. So we did the courses separately and, on top of this, I joined a yacht club in Whitstable where, at least in the volatile winter weather of February, I could sail in safe approximation of ocean-going conditions.
What Suzanne thought about all this, I honestly don’t know. I think she thought the rapprochement between myself and my father a good thing. I think she thought six months hence too long a distance away, at least at the outset, to fret unduly over. I suppose she assumed that we would possess at least a basic competence between the two of us when we finally embarked. The
Dark Echo
was a racing schooner, more than capable of covering the distance betweenSouthampton and New York in three weeks. And when all was said and done, the sea was a great deal safer in the age of satellite phones and sonic distress buoys than it had been eighty years before, in Spalding’s Roaring Twenties. She busied herself with research into the groundbreaking documentary series centred on Michael Collins and the Irish struggle for independence. And she kept any reservations she might have had about the venture to herself.
You might wonder where I found the time to indulge in this little jaunt with all the preparation it required and the money that was needed to fund the training. A generous allowance from my father would be any stranger’s fair assumption. But it would not be the truth. My dad was always generous with me. But I was always independent, particularly so after my mother’s sudden death. At both of the universities I attended, I worked for the college radio station, organising guest interviews and fund-raising drives and on-air competitions and so on. After my eventual graduation, I got a similar job working with a regional station in Kent, only now there was a salary involved. Next, I got a job at a London commercial station. If there was any career plan, it was probably to wind up working in radio programming for the BBC. I’ve always loved the power and potency of the spoken word and have always preferred radio to television because it frees the listener’s imagination somehow in a way that television, with its reliance on pictures and its terror of dead time, can never really replicate.
So there I was, fully intending to evolve over time into some Reithian figure of the twenty-first century. Except that fate intervened when I and a colleague at the London station dreamed up a game-show format we had the wit to copyright. The game became a huge airtime hit. The format translated effortlessly to television. And the game became a hit all over the world. It didn’t earn me the sort of wealthmy father had generated through business. But it did bring me enough money not to have to worry about where the mortgage payments were coming from for the flat for a couple of years.
I finally gave up full-time work two years ago. Retirement at thirty would, to be honest, have been a depressing prospect. But I had an ambition to write. In the last two years I’ve written and had published two children’s books. Sales have been modest, but they’ve earned a bit of praise. I like the challenge of writing for enigmatic little people with minds that are difficult to unlock. I can think of little more worthwhile for a writer of fiction than firing the imagination of a child. One not too distant day, I hope that Suzanne and I will have children of our own. Or perhaps, now, better altogether to say that one day I hoped we would. I hoped we would have children of our own. It’s only realistic, in the current circumstances, to put everything into the past tense. Harry Spalding’s baleful curse has imposed that necessity.
The
Dark Echo
’s reputation as an unlucky boat was vague to all of us. I’d heard something from my father when he’d first mentioned his