at the cash-register with a few items at the Goodwill when a guy in a suit
behind me tapped me on the shoulder.
"Sorry to bother you," he said. His suit looked expensive, as did his manicure
and his haircut and his wire-rimmed glasses. "I was just wondering where you
found that." He gestured at a rhinestone-studded ukelele, with a cowboy hat
wood-burned into the body. I had picked it up with a guilty little thrill,
thinking that Craphound might buy it at the next auction.
"Second floor, in the toy section."
"There wasn't anything else like it, was there?"
"'Fraid not," I said, and the cashier picked it up and started wrapping it in
newspaper.
"Ah," he said, and he looked like a little kid who'd just been told that he
couldn't have a puppy. "I don't suppose you'd want to sell it, would you?"
I held up a hand and waited while the cashier bagged it with the rest of my
stuff, a few old clothbound novels I thought I could sell at a used book-store,
and a Grease belt-buckle with Olivia Newton John on it. I led him out the door
by the elbow of his expensive suit.
"How much?" I had paid a dollar.
"Ten bucks?"
I nearly said, "Sold!" but I caught myself. "Twenty."
"Twenty dollars?"
"That's what they'd charge at a boutique on Queen Street."
He took out a slim leather wallet and produced a twenty. I handed him the uke.
His face lit up like a lightbulb.
It's not that my adulthood is particularly unhappy. Likewise, it's not that my
childhood was particularly happy.
There are memories I have, though, that are like a cool drink of water. My
grandfather's place near Milton, an old Victorian farmhouse, where the cat drank
out of a milk-glass bowl; and where we sat around a rough pine table as big as
my whole apartment; and where my playroom was the draughty barn with hay-filled
lofts bulging with farm junk and Tarzan-ropes.
There was Grampa's friend Fyodor, and we spent every evening at his
wrecking-yard, he and Grampa talking and smoking while I scampered in the
twilight, scaling mountains of auto-junk. The glove-boxes yielded treasures:
crumpled photos of college boys mugging in front of signs, roadmaps of far-away
places. I found a guidebook from the 1964 New York World's Fair once, and a
lipstick like a chrome bullet, and a pair of white leather ladies' gloves.
Fyodor dealt in scrap, too, and once, he had half of a carny carousel, a few
horses and part of the canopy, paint flaking and sharp torn edges protruding;
next to it, a Korean-war tank minus its turret and treads, and inside the tank
were peeling old pinup girls and a rotation schedule and a crude Kilroy. The
control-room in the middle of the carousel had a stack of paperback sci-fi
novels, Ace Doubles that had two books bound back-to-back, and when you finished
the first, you turned it over and read the other. Fyodor let me keep them, and
there was a pawn-ticket in one from Macon, Georgia, for a transistor radio.
My parents started leaving me alone when I was fourteen and I couldn't keep from
sneaking into their room and snooping. Mom's jewelry box had books of matches
from their honeymoon in Acapulco, printed with bad palm-trees. My Dad kept an
old photo in his sock drawer, of himself on muscle-beach, shirtless, flexing his
biceps.
My grandmother saved every scrap of my mother's life in her basement, in dusty
Army trunks. I entertained myself by pulling it out and taking it in: her Mouse
Ears from the big family train-trip to Disneyland in '57, and her records, and
the glittery pasteboard sign from her sweet sixteen. There were well-chewed
stuffed animals, and school exercise books in which she'd practiced variations
on her signature for page after page.
It all told a story. The penciled Kilroy in the tank made me see one of those
Canadian soldiers in Korea, unshaven and crew-cut like an extra on M
A
S
H,
sitting for bored hour after hour, staring at the pinup girls, fiddling with a
crossword, finally laying it down and