grasped my wrist. “Your respiration and pulse are both too high,” she warned. “Don’t take too long.”
“Got it. Could someone take Smudge?”
Lena gently lifted the spider from my shoulder. I walked toward the vision, half-expecting it to pop like a soap bubble. Instead, images flashed before me. An array of vacuum tubes. A bronze statue of the god Moloch, a furnace glowing in his belly. A child trapped in a house fire.
Grief flowed through the book, so intense it knocked me back a step. Had you asked me in that moment, I would have sworn it was my own child dying in the flames.
“Why is it showing a fire?” Helen asked. “Nothing burned here.”
“The magic is ‘tuned’ to the story. It’s showing us the past, but it’s the fictional past Asimov created.” I needed to refocus the spell to this world, and I needed to do it quickly, before the story moved into my thoughts and made itself at home.
“There are other ways to find whoever did this,” Nidhi said.
“Just give me a minute.” This was a known problem, one that arose with crystal balls, magic mirrors, and other scrying techniques. Time after time, they worked exactly as they had been written: showing images from the fictional world they had come from. Reorienting those toys to the real world was all but impossible.
Or so I had been taught. In the past months, I had jotted down three theories on how to bypass that particular rule. A strong enough libriomancer could break past the confines set by the book, but someone strong enough to do that shouldn’t need books to do magic in the first place.
Locking the book should also sever the connection between the book and the created object, giving me a better chance of refocusing the chronoscope to find our killer. Which would have been perfect, if I had the slightest clue how Gutenberg locked his books.
Time to test theory number three. I handed the book to Nidhi. “There’s a lead-lined bag of flower petals in my satchel. Could you please rub the petals over the book and press them between the pages, especially this page?”
Lena looked over Nidhi’s shoulder. “When did you take up flower power?”
“I’ve been experimenting with ways of preserving Moly.” The flower came from
Odysseus
, and could be used to nullify magic. I had requested a specially enchanted bag just so I would be able to carry the petals around without canceling out every spell in a five-foot radius. The one time I got careless, Smudge had lost his flame for a day and a half. When he finally recovered, he set my favorite T-shirt on fire. I couldn’t prove it, but I was certain he had done it deliberately.
I had soaked this latest batch of flowers in a glycerin solution, removing the moisture while preserving the shape and texture. Tiny lines of brown crisscrossed the petals. They weren’t as potent as newly-formed Moly, but they should work.
As Nidhi pressed the petals into the book, the fictional flames faded, until I saw only a grainy image of the clearing. I reached out with one hand, imagining the resistor dials and adjusting them one by one. The minutes flew backward in my mind. A crow swooped down and vanished again. The scene darkened as the sun dipped beneath the eastern horizon. That put us past the eight-hour window. Were we in the wrong place, or had I misjudged the time of death?
And then the wendigo appeared, surrounded by blood and gore. It was twilight from the evening before, putting the time closer to eighteen hours ago. I would need to recheck my figures. Two other people crowded over the wendigo and disappeared, moving far too quickly for me to make out any details. The wendigo vanished a second later.
I adjusted my mental controls again, allowing the scene to play out in normal time. There was no sound. The chronoscope should be capable of reproducing sound as well as light, but I was doing well just to get this aspect working. Lena had taken Nidhi’s camera, and was clicking away
Between a Clutch, a Hard Place
Adam Smith, Amartya Sen, Ryan Patrick Hanley