felt.
"You shall see something of the real world, Perseus. It is rather different from Seriphos. It is time you came face-to-face with fear instead of fish; time to know the terrors of the dark and to look on death, as other mortals must do; time your eyes were opened.
"Reality, yes. I know something of reality, Perseus. It does not lie on the idyllic isle of Seriphos. It lies far to the east, across the sea. In Joppa, in the kingdom of Phoenicia. See then what you can make of yourself in reality, Perseus, and not in your little paradise! See if you fare as well there as my son!"
Checking one final time to make sure she was alone, she set the statuette down on the floor of the amphitheater. What indeed is the difference between one such structure and another? They are all settings for plays, stages to be performed upon.
The play's the thing, she thought with satisfaction. I have merely moved it to another stage.
Her fingers freed the figurine . . .
III
Perseus stirred uneasily in his sleep. Something was different. The rich smell of the sea had faded and the crackle of the olive-wood fire no longer sounded in his ears.
Of course, the untended blaze might have sputtered out. He ought to make sure, for though the night was still warm he could take a chill. It had definitely grown cooler since he'd lain down.
He opened his eyes, and sat up quickly. Utterly bewildered, he gazed around at what shouldn't have been.
Row on row of white stone benches rose in a vast semicircle around him. They were overgrown with weeds and the beginnings of bushes. Only the moon and constellations overhead were unchanged, though the branches of the old olive tree no longer framed the stars.
The fire was not simply out: it had vanished completely. So had the sea and its sad song. In their place came the plaintive chirps of crickets and the occasional croak of a bullfrog. They were far more at home than he.
He rose and turned in a slow, baffled circle. The amphitheater was deserted. Underfoot the old stone paving was cracked and filthy with dust. Columns and arches were broken and evidenced signs of long neglect. Decorative statues still stood, but many were missing arms or heads. Clearly it had been some time since any plays had been staged here.
Perseus knew what the place was from stories told to him by the more worldly citizens of Seriphos, those who had traveled to other parts of the world. But he had never expected to see one. Certainly it seemed more appropriate as a background for a nightmare.
Something stung his left arm and he slapped at it. The slap felt as real as the bite, and the crushed, bloated smudge that had been a mosquito looked very familiar. If this was a nightmare, it was replete with an extraordinary amount of detail.
It didn't make any sense, this place. The philosophers sometimes said the same thing about life. He decided it was not a nightmare, for all that he might wish it was.
"WHO ARE YOU?"
Perseus whirled, but could not locate the source of the booming challenge. Echoing off walls and seats, it seemed to rise from all around him. He was too astonished to be afraid.
Again the demand: "WHO ARE YOU?"
The fishermen of Seriphos had told Perseus that when faced by a marauding shark, it was acceptable to feel fear, but most important not to show it. So he cupped his hands to his mouth and yelled back as bravely as he could.
"Show yourself first!"
"WHO ARE YOU?"
"First tell me where I am. Where is this place? Or at least tell me whoever or whatever you are."
"WHERE?" Forsaking its former challenging tone, the mysterious voice was now plainly as astonished as Perseus.
"Yes, where, Where am I?"
By way of reply several torches flickered into sudden, dancing life. From the shadows masking the primary stage entrance a bizarre figure abruptly appeared. It was clad in a splendid costume and richly woven cloak. In front of its face it carried a classical tragic mask topped by a tall false crown and fringed with