are all men but simply men?’ ( Bk V, 17 ) – again clearly implies that ‘men’ will be ‘simply men’ if they have not the specific of national complacency. Likewise a kingdom is differentiated from a gang of criminals by the specific inclusion of justice. Augustine in his ‘mirror of princes’ ( Bk V, 24 ) puts as the first requirement of a prince that he should rule with justice.
Rome had not only failed to worship the true God: she had givenherself, under the malign influence of demons, to the worship of many gods both to ensure, it was claimed, physical and moral well-being for the State and the person in this life, and happiness for the person hereafter. These gods, Augustine contends at length, did not save Rome from physical disasters; not only did they not promote Rome’s moral well-being: they corrupted Rome through their obscene representations in the theatre and in the temple. The myths of the poets and the theatre were classified as ‘mythical’ theology, as the cult of the gods in the public temples was classified as ‘civil’ theology. Both theologies debauched Rome: ‘The theology of the theatre proclaims the degradation of the people; the theology of the city makes that degradation an amenity’ ( Bk VI, 6 ). The remaining theology was called ‘natural’ – the theological ideas of the philosophers. According to these last, the gods were not superior to man. Hence they could do no more for man’s eternal happiness than he could himself.
One may be puzzled at what seems the inordinate length of Augustine’s attack upon these gods. But, as he says, ‘superior intelligences… will have to possess themselves in patience; and I ask them, for the sake of others, not to think superfluous what for themselves they feel to be unnecessary’ ( Bk VII, Preface ); ‘we are forced very often to give an extended exposition of the obvious, as if we were not presenting it for people to look at, but for them to touch and handle with their eyes shut’ ( Bk II, 1 ). Augustine was concerned not only with superior intelligences: he was dealing with whole peoples of a vast Empire, and he was trying to break for them their long-inured association with a comforting polytheism, and substitute for it the (for them) strange concept of a single immaterial deity. The radical nature of such a change is almost impossible for us, who have inherited the concept of monotheism, to realize. But Augustine was keenly aware of it and the main burthen of the whole of the
City of God
is aimed at reinforcing that substitution.
As we have said, Augustine’s attitude to Rome was also seeming historical. He accepted from Sallust the picture of Rome as having once been highly moral. The early Romans were
greedy for praise, generous with their money, and aimed at vast renown and honourable riches. They were passionately devoted to glory; it was for this they desired to live, for this they did not hesitate to die. This unbounded passion for glory, above all else, checked their other appetites. They felt it would be shameful for their country to be enslaved, but glorious for her to have dominion and empire; and so they set their hearts first on making her free, then on making her sovereign ( Bk V, 12 ).
Again:
it was other causes that made them great: energy in our own land, a rule of justice outside our borders; in forming policy a mind that is free because not at the mercy of criminal passions (
ibid
.).
But such human effort and achievement does not escape the embrace of theology:
God decided that a Western empire should arise, later in time [than the kingdoms of the East], but more renowned for the extent and grandeur of its dominion… He entrusted this dominion to those men, in preference to all others, who served their country for the sake of honour, praise and glory… ( Bk V, 13 ). The Roman Empire… had this further purpose, that the citizens of that Eternal City… should fix their eyes