Children of the Mind (Ender, Book 4) (Ender Quartet)
planets capable of sustaining the lives of the three sentient species, humans, pequeninos, and hive queens. For this he needed a more traditional spacecraft, for though he still went from planet to planet by way of Jane's instant detour through the Outside, he could not usually count on arriving at a world where he could breathe the air. Indeed, Jane always started him out in orbit high above each new planet, so he could observe, measure, analyze, and only land on the most promising ones to make the final determination of whether the world was usable.
    He did not travel alone. It would have been too much for one person to accomplish, and he needed everything he did to be double-checked. Yet of all the work being done by anyone on Lusitania, this was the most dangerous, for he never knew when he cracked open the door of his spaceship whether there would be some unforeseeable menace on the new world. Miro, had long regarded his own life as expendable. For several long years trapped in a brain-damaged body he had wished for death; then, when his first trip Outside enabled him to recreate his body in the perfection of youth, he regarded any moment, any hour, any day of his life as an undeserved gift. He would not waste it, but he would not shrink from putting it at risk for the good of others. But who else could share his easy self-disregard?
    Young Valentine was made to order, in every sense, it seemed. Miro had seen her come into existence at the same time as his own new body. She had no past, no kin, no links to any world except through Ender, whose mind had created her, and Peter, her fellow makeling. Oh, and perhaps one might consider her to be linked to the original Valentine, "the real Valentine," as Young Val called her; but it was no secret that Old Valentine had no desire to spend even a moment in the company of this young beauty who mocked her by her very existence. Besides, Young Val was created as Ender's image of perfect virtue. Not only was she unconnected, but also she was genuinely altruistic and quite willing to sacrifice herself for the good of others. So whenever Miro stepped into the shuttle, there was Young Val as his companion, his reliable assistant, his constant backup.
    But not his friend. For Miro knew perfectly well who Val really was: Ender in disguise. Not a woman. And her love and loyalty to him were Ender's love and loyalty, often tested, well-trusted, but Ender's, not her own. There was nothing of her own in her. So while Miro had become used to her company, and laughed and joked with her more easily than with anyone in his life till now, he did not confide in her, did not allow himself to feel affection any deeper than camaraderie for her. If she noticed the lack of connection between them she said nothing; if it hurt her, the pain never showed.
    What showed was her delight in their successes and her insistence that they push themselves ever harder. "We don't have a whole day to spend on any world," she said right from the start, and proved it by holding them to a schedule that let them make three voyages in a day. They came home after each three voyages to a Lusitania already quiet with sleep; they slept on the ship and spoke to others only to warn them of particular problems the colonists were likely to face on whatever new worlds had been found that day. And the three-a-day schedule was only on days when they dealt with likely planets. When Jane took them to worlds that were obvious losers -- waterbound, for instance, or unbiotized -- they moved on quickly, checking the next candidate world, and the next, sometimes five and six on those discouraging days when nothing seemed to work. Young Val pushed them both on to the edge of their endurance, day after day, and Miro accepted her leadership in this aspect of their voyaging because he knew that it was necessary.
    His friend, however, had no human shape. For him she dwelt in the jewel in his ear. Jane, the whisper in his mind when he first woke

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