Read Children of the Mind (Ender, Book 4) (Ender Quartet) for Free Online Page A

not my decision," Novinha said.
    "It's your decision," said Ender, "whether you want me with you, as one of the Filhos da Mente de Cristo. If you do, then I believe I can make my way through all the other obstacles."
    She laughed nastily. "Obstacles? Men like you don't have obstacles. Just steppingstones."
    "Men like me?"
    "Yes, men like you," said Novinha. "Just because I've never met any others. Just because no matter how much I loved Libo he was never for one day as alive as you are in every minute. Just because I found myself loving as an adult for the first time when I loved you. Just because I have missed you more than I miss even my children, even my parents, even the lost loves of my life. Just because I can't dream of anyone but you, that doesn't mean that there isn't somebody else just like you somewhere else. The universe is a big place. You can't be all that special, really. Can you?"
    He reached through the potato plants and leaned a hand gently on her thigh. "You do still love me, then?" he asked.
    "Oh, is that what you came for? To find out if I love you?"
    He nodded. "Partly."
    "I do," she said.
    "Then I can stay?"
    She burst into tears. Loud weeping. She sank to the ground; he reached through the plants to embrace her, to hold her, caring nothing for the leaves he crushed between them. After he held her for a long while, she broke off her crying and turned to him and held him at least as tightly as he had been holding her.
    "Oh, Andrew," she whispered, her voice cracking and breaking from having wept so much. "Does God love me enough to give you to me now, again, when I need you so much?"
    "Until I die," said Ender.
    "I know that part," she said. "But I pray that God will let me die first this time."

CHAPTER 3
     
    “THERE ARE TOO MANY OF US”

    "Let me tell you the most beautiful story I know.
    A man was given a dog, which he loved very much.
    The dog went with him everywhere,
    but the man could not teach it to do anything useful.
    The dog would not fetch or point,
    it would not race or protect or stand watch.
    Instead the dog sat near him and regarded him,
    always with the same inscrutable expression.
    'That's not a dog, it's a wolf,' said the man's wife.
    'He alone is faithful to me,' said the man,
    and his wife never discussed it with him again.
    One day the man took his dog with him into his private airplane
    and as they flew over high winter mountains,
    the engines failed
    and the airplane was torn to shreds among the trees.
    The man lay bleeding,
    his belly torn open by blades of sheared metal,
    steam rising from his organs in the cold air,
    but all he could think of was his faithful dog.
    Was he alive? Was he hurt?
    Imagine his relief when the dog came padding up
    and regarded him with that same steady gaze.
    After an hour the dog nosed the man's gaping abdomen,
    then began pulling out intestines and spleen and liver
    and gnawing on them, all the while studying the man's face.
    'Thank God,' said the man.
    'At least one of us will not starve.'
    from The God Whispers of Han Qing-jao
     
     
    Of all the faster-than-light starships that were flitting Outside and back In under Jane's command, only Miro's looked like an ordinary spacecraft, for the good reason that it was nothing more than the shuttle that had once taken passengers and cargo to and from the great starships that came to orbit around Lusitania. Now that the new starships could go immediately from one planet's surface to another's, there was no need for life support or even fuel, and since Jane had to hold the entire structure of each craft in her memory, the simpler they were the better. Indeed, they could hardly be called vehicles anymore. They were simple cabins now, windowless, almost unfurnished, bare as a primitive schoolroom. The people of Lusitania referred to space travel now as encaixarse , which was Portuguese for "going into the box," or, more literally, "to box oneself up."
    Miro, however, was exploring, searching for new