hasnât thought it through properly since.
âYou know quite well where I met him. Everyone knows it, in this stinking town full of hicks with nothing better to do than gossip about everyone.â
At that moment, she understands what the âidâ means that psychoanalysts go on about. Because right now, the id is talking through her. She can hear herself spitting out the words, spluttering as she speaks, aggressive and unhinged. But the moment when she âmakes a decisionâ to express her anger, that exact moment, she canât quite reach it.
Once more, Véronique stiffens in her chair, embarrassed to have provoked this reaction. She apologizes: âIâm sorry, itâs none of my business. I was acting like a groupie, it was indiscreet.â
The nicest people are always the only ones who ever apologize for being annoying. Pity, that .
But Gloriaâs memory is stuck in a groove, she has a flashback to the same image, almost twenty years since it happened, the same image that stays with her: her father is standing in a corridor and watching her disappear. Sheâs being dragged backward, held up under the arms by two men. Alongside her father are the doctor and her mother.
They too are looking wretched. The pain spreads around her. As usual, sheâs the one causing the pain . . . To get back into her memory, she has to get past the barrier of that image: sheâd dropped to the floor screaming, the two men had picked her up and forced her into that place, the institution where they were going to deal with her. For her own good. Sheâs looking at her father: âNo, no, please!â Her screams are hardly noticed. In this place theyâre used to them, she finds out later. And he watches her vanishing, his eyes are sadânever has she caused him so much pain. But sheâs the one whoâs being locked up, and who wonât be able to bear it.
She must try and keep that image at bay, stop it from turning into a loop, or else . . . But thatâs exactly what happens. She holds her head in her hands, the first hot tears burn her eyelids as they well up, then they roll, comfortingly, down her cheeks and fall on the table.
âIt was just after dying that I met Eric.â
IT WAS IN 1985, days after Christmas. It had been snowing nonstop, the countryside was white everywhere, as it can be in eastern France.
An acquaintance, a fan of the Cure, always dressed in black, had taken advantage of his motherâs absence to have parties at his place every night. He lived in Jarville, near the railway bridge. Gloria didnât know him well, but theyâd bumped into each other that morning on the twenty-one bus. Impressed no doubt by her look, heâd invited her. Preferring to avoid long negotiations with her parents, she simply didnât tell them. As usual, and like many other teenagers at the time, sheâd climbed out of the window and gone there on foot, it was only five minutes away.
They were listening to Lydia Lunch. Gloria was wearing a dog collar with a leash, far-out. Sheâd spent much of the evening walking around a bedroom, listening to the same song on loop. Other kids were out of it on the couch. Two of them were necking, covered with studs and chains, the pair of them, very thin, like two little birds whoâd fallen into the water. The bedroom floor was covered with a dark blue fitted carpet, scratchy to the touch, when you put your hands on it. Next door, the TV was on, playing Madonnaâs âLike a Virgin.â
A nice evening, quite calm, until this boy called Léo arrived. He wasnât from Nancy, sheâd never seen him before. In fact sheâd never seen anything like him. A punketteâs dreamboat: blond hair, androgynous beauty, but very masculine attitude, like a mischievous pixie. He was wearing a super-tight black biker jacket and short jeans over electric-blue creepers. She could hardly believe her eyes