impregnable, which might put the director on his macho mettle, as unworthy of the effort involved. The image she strove for was that of a walled mountain village at which the invading hordes in the valley below cast a brief glance, then shook their heads, shouldered their weapons and moved on to easier pickings elsewhere. The trick was to make Tondo feel that he had rejected her, thus leaving his pride and self-esteem intact — and, above all, to do so before he pushed matters to a point she could already sense somewhere close ahead, where she would ram her knee into his bulging crotch and rake her clawed nails across his piggy little eyes.
The moment she opened the door to the director’s absurdly spacious office, Corinna Nunziatella knew that something had happened, and that it was not good news. Having dreaded being overwhelmed by unwanted attentions, she found herself treated to an almost brutal absence of elementary politeness, never mind charm, which she found threatening in a quite different way. So far from rushing over to ‘drink in your perfume’, as he had once said, Sergio Tondo did not even bother to get to his feet. His greeting was perfunctory and barely audible. In short, his manner was everything she had wished it would be — cool, distant, and totally professional — and it scared the hell out of her. Because if the director was finally treating her as a colleague rather than a woman, it could only mean that something was very badly wrong indeed.
Corinna Nunziatella sat down in one of the two armchairs facing the desk, the antique leather creaking beneath her. Apart from a crucifix, a portrait of the president, a map of the province of Catania and a couple of shelves of law books apparently selected on the basis of format and size rather than content, the director’s office was strikingly, indeed significantly, empty. No piles of files here, no unsorted notes, no computer terminal. All this austerity made the three telephones on the desk — red, blue and yellow, respectively — loom even larger. One would be for internal calls within the building, another an ‘open’ external line.
And the third? Corinna Nunziatella found herself irresistibly reminded of the so-called terzo livello of the Mafia, whose existence had often been postulated but never proved; the fabled Third Level, far above mundane criminal activities and inter-clan rivalries, on which the most powerful and influential bosses met with their political patrons and protectors in Rome to discuss kickbacks, mutual interests, and the delivery of votes come election time.
‘So?’ the director remarked, as though Corinna had requested a meeting with him .
‘I understood you to say that you wanted a progress report,’ she replied stiffly.
Sergio Tondo smiled superficially and made a throw-away gesture with his left hand.
‘That was just a manner of speaking. I really want to have a chat, hear what you’re working on at present, that sort of thing. As you know, I try to foster a team spirit here, and I feel very strongly that face-to-face meetings like this, informal and off the record, without the inevitable stresses of peer pressure, can genuinely promote a sense of individual empowerment in each and every member of the department, resulting in an enhanced professional dynamic and group cohesion.’
Corinna kept her mouth shut.
‘How’s the Maresi case going?’ the director continued at length.
‘It isn’t going anywhere. It’s been deadlocked for months, and looks likely to stay that way.’
‘And the Cucuzza business?’
‘That looked promising, until the Supreme Court released my principal witness, who promptly disappeared and is now probably in hiding abroad or dead.’
The court was merely upholding the law,’ Sergio Tondo remarked in a tone of light reprimand. ‘The procedural irregularities which had evidently occurred — through no fault of yours, dottoressa , I dare say — unfortunately made it
Marion Zimmer Bradley, Juanita Coulson