two by two, joined hand to hand by holding a white handkerchief between them. A beautiful scene, dear Jorge. There is a doorway in the stone wall through which the corpse-bearers pass, carrying their burden. No one else may enter the Tower. Within is a circular platform paved with large stone slabs and divided into three rows of shallow, open receptacles. The outer row is used for the bodies of males, the next for those of females, the innermost one for children. The dead one is given a resting-place; vultures rise from the lofty palms in the gardens adjoining the Towers; within an hour or two, only bones remain. Later, the bare, sun-dried skeleton is cast into a pit at the center of the Tower. Rich and poor crumble together there into dust.”
“And all Parsees are—ah—buried in this way?”
“Oh, no, no, by no means,” Jijibhoi said heartily. “All ancient traditions are in disrepair nowadays, do you not know? Our younger people advocate cremation or even conventional interment. Still, many of us continue to see the beauty of our way.”
“—beauty?—”
Jijibhoi’s wife said in a quiet voice, “To bury the dead in the ground, in a moist tropical land where diseases are highly contagious, seems not sanitary to us. And to burn a body is to waste its substance. But to give the bodies of the dead to the efficient hungry birds—quickly, cleanly, without fuss—is to us a way of celebrating the economy of nature. To have one’s bones mingle in the pit with the bones of the entire community is, to us, the ultimate democracy.”
“And the vultures spread no contagions themselves, feeding as they do on the bodies of—”
“Never,” said Jijibhoi firmly. “Nor do they contract our ills.”
“And I gather that you both intend to have your bodies returned to Bombay when you—” Aghast, Klein paused, shook his head, coughed in embarrassment, forced a weak smile. “You see what this radioactive curry of yours has done to my manners? Forgive me. Here I sit, a guest at your dinner table, quizzing you about your funeral plans!”
Jijibhoi chuckled. “Death is not frightening to us, dear friend. It is—one hardly needs say it, does one?—it is a natural event. For a time we are here, and then we go. When our time ends, yes, she and I will give ourselves to the Towers of Silence.”
His wife added sharply, “Better there than the Cold Towns! Much better!”
Klein had never observed such vehemence in her before.
Jijibhoi swung back from the window and glared at her. Klein had never seen that before either. It seemed as if the fragile web of elaborate courtesy that he and these two had been spinning all evening was suddenly unraveling, and that even the bonds between Jijibhoi and his wife were undergoing strain. Agitated now, fluttery, Jijibhoi began to collect the empty dishes, and after a long awkward moment said, “She did not mean to give offense.”
“Why should I be offended?”
“A person you love chose to go to the Cold Towns. You might think there was implied criticism of her in my wife’s expression of distaste for—”
Klein shrugged. “She’s entitled to her feelings about rekindling. I wonder, though—”
He halted, uneasy, fearing to probe too deeply.
“Yes?”
“It was irrelevant.”
“Please,” Jijibhoi said. “We are old friends.”
“I was wondering,” said Klein slowly, “if it doesn’t make things hard for you, spending all your time among deads, studying them, mastering their ways, devoting your whole career to them, when your wife evidently despises the Cold Towns and everything that goes on in them. If the theme of your work repels her, you must not be able to share it with her.”
“Oh,” Jijibhoi said, tension visibly going from him, “if it comes to that, I have even less liking for the entire rekindling phenomenon than she.”
“You do?” This was a side of Jijibhoi that Klein had never suspected. “It repels you? Then why did you choose to make