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Barwani said softly.

F OUR
What portends? What will the future bring? I do not know, I have no presentiment. When a spider hurls itself down from some fixed point, consistently with its nature, it always sees before it only an empty space wherein it can find no foothold however much it sprawls. And so it is with me: always before me an empty space; what drives me forward is a consistency which lies behind me. This life is topsy-turvy and terrible, not to be endured.
    Soren Kierkegaard: Either/Or
    ***
    Jijibhoi said, “In the entire question of death who is to say what is right, dear friend? When I was a boy in Bombay it was not unusual for our Hindu neighbors to practice the rite of suttee, that is, the burning of the widow on her husband’s funeral pyre, and by what presumption may we call them barbarians? Of course”—his dark eyes flashed mischievously—“we did call them barbarians, though never when they might hear us. Will you have more curry?”
    Klein repressed a sigh. He was getting full, and the curry was fiery stuff, of an incandescence far beyond his usual level of tolerance; but Jijibhoi’s hospitality, unobtrusively insistent, had a certain hieratic quality about it that made Klein feel like a blasphemer whenever he refused anything in his home. He smiled and nodded, and Jijibhoi, rising, spooned a mound of rice into Klein’s plate, buried it under curried lamb, bedecked it with chutneys and sambals. Silently, unbidden, Jijibhoi’s wife went to the kitchen and returned with a cold bottle of Heineken. She gave Klein a shy grin as she set it down before him. They worked well together, these two Parsees, his hosts.
    They were an elegant couple—striking, even. Jijibhoi was a tall, erect man with a forceful aquiline nose, dark Levantine skin, jet-black hair, a formidable mustache. His hands and feet were extraordinarily small; his manner was polite and reserved; he moved with a quickness of action bordering on nervousness. Klein guessed that he was in his early forties, though he suspected his estimate could easily be off by ten years in either direction. His wife—strangely, Klein had never been told her name—was younger than her husband, nearly as tall, fair of complexion—a light-olive tone—and voluptuous of figure. She dressed invariably in flowing silken saris; Jijibhoi affected western business dress, suits and ties in style twenty years out of date. Klein had never seen either of them bareheaded: she wore a kerchief of white linen, he a brocaded skullcap that might lead people to mistake him for an Oriental Jew. They were childless and self-sufficient, forming a closed dyad, a perfect unit, two segments of the same entity, conjoined and indivisible, as Klein and Sybille once had been. Their harmonious interplay of thought and gesture made them a trifle disconcerting, even intimidating, to others. As Klein and Sybille once had been.
    Klein said, “Among your people—”
    “Oh, very different, very different, quite unique. You know of our funeral custom?”
    “Exposure of the dead, isn’t it?”
    Jijibhoi’s wife giggled. “A very ancient recycling scheme!”
    “The Towers of Silence,” Jijibhoi said. He went to the dining room’s vast window and stood with his back to Klein, staring out at the dazzling lights of Los Angeles. The Jijibhois’ house, all redwood and glass, perched precariously on stilts near the crest of Benedict Canyon, just below Mulholland: the view took in everything from Hollywood to Santa Monica. “There are five of them in Bombay,” said Jijibhoi, “on Malabar Hill, a rocky ridge overlooking the Arabian Sea. They are centuries old, each one circular, several hundred feet in circumference, surrounded by a stone wall twenty or thirty feet high. When a Parsee dies—do you know of this?”
    “Not as much as I’d like to know.”
    “When a Parsee dies, he is carried to the Towers on an iron bier by professional corpse-bearers; the mourners follow in procession,