never lost a minuteâs sleep over it. But I called her at the inn where she and her friend Bryn were staying; I told her I had finished, and listened as she said the words Iâd called to hearâwords that slipped into an Irish telephone line, travelled to a microwave transmitter, rose like a prayer to some satellite, and then came back down to my ear: âWell, then thatâs all right, isnât it?â
This custom began, as I say, after the second book. When weâd each had a glass of champagne and a refill, I took her into the office, where a single sheet of paper still stuck out of my forest-green Selectric. On the lake, one last loon cried down dark, that call that always sounds to me like something rusty turning slowly in the wind.
âI thought you said you were done,â she said.
âEverything but the last line,â I said. âThe book,such as it is, is dedicated to you, and I want you to put down the last bit.â
She didnât laugh or protest or get gushy, just looked at me to see if I really meant it. I nodded that I did, and she sat in my chair. She had been swimming earlier, and her hair was pulled back and threaded through a white elastic thing. It was wet, and two shades darker red than usual. I touched it. It was like touching damp silk.
âParagraph indent?â she asked, as seriously as a girl from the steno pool about to take dictation from the big boss.
âNo,â I said, âthis continues.â And then I spoke the line Iâd been holding in my head ever since I got up to pour the champagne. ââHe slipped the chain over her head, and then the two of them walked down the steps to where the car was parked.ââ
She typed it, then looked around and up at me expectantly. âThatâs it,â I said. âYou can write The End, I guess.â
Jo hit the RETURN button twice, centered the carriage, and typed The End under the last line of prose, the IBMâs Courier type ball (my favorite) spinning out the letters in their obedient dance.
âWhatâs the chain he slips over her head?â she asked me.
âYouâll have to read the book to find out.â
With her sitting in my desk chair and me standing beside her, she was in perfect position to put her face where she did. When she spoke, her lips moved against the most sensitive part of me. There were a pair of cotton shorts between us and that was all.
âVe haff vays off making you talk,â she said.
âIâll just bet you do,â I said.
*Â Â Â *Â Â Â *
I at least made a stab at the ritual on the day I finished All the Way from the Top. It felt hollow, form from which the magical substance had departed, but Iâd expected that. I didnât do it out of superstition but out of respect and love. A kind of memorial, if you will. Or, if you will, Johannaâs real funeral service, finally taking place a month after she was in the ground.
It was the last third of September, and still hotâthe hottest late summer I can remember. All during that final sad push on the book, I kept thinking how much I missed her . . . but that never slowed me down. And hereâs something else: hot as it was in Derry, so hot I usually worked in nothing but a pair of boxer shorts, I never once thought of going to our place at the lake. It was as if my memory of Sara Laughs had been entirely wiped from my mind. Perhaps that was because by the time I finished Top, that truth was finally sinking in. She wasnât just in Ireland this time.
My office at the lake is tiny, but has a view. The office in Derry is long, book-lined, and windowless. On this particular evening, the overhead fansâthere are three of themâwere on and paddling at the soupy air. I came in dressed in shorts, a tee-shirt, and rubber thong sandals, carrying a tin Coke tray with the bottle of champagne and the two chilled glasses on it. At the far end of