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galleys. Of all the cruel sentences of death that can be meted out to a man, slavery in the galley is considered by all to be the cruellest. Death comes, but not before the last measure of strength has been squeezed from a man's body and the last of his dignity has been annihilated by suffering and despair.
    Men become monsters in the galleys. Some ship captains never rotate the positions of the slaves; a man who rows for day after day, month after month on the same side, especially if he runs the catwalk, develops great muscles on one side of his body out of all proportion to the other. At the same time his flesh grows pale as a fish from lack of sunlight. If such a man escapes, he is easily detected by his deformity. Once in the Subura I saw a troop of private guards dragging such a man from a brothel, naked and screaming. Eco, then only a boy, had been horrified by the slave's appearance, and then, after I had explained it, had begun to weep.
    Men become gods in the galley, as well. Crassus, if indeed he was the owner of this ship, took care to rotate his rowers, or else used them up more quickly than most, for I saw no lopsided monsters among them. Instead I saw young men with deep chests and great shoulders and arms, and among them a few older survivors with even more massive physiques, like a crew of bearded Apollos sprinkled with a hoary Hercules here and there, at least from the neck down. Above the neck their faces were all too human, wretched with care and suffering.
    As I looked from face to face, most of them averted their eyes, as if my gaze could hurt them as surely as the whipmaster's lash. But a few of them dared to look back at me. I saw eyes dulled by endless labour and monotony; eyes envious of a man who possessed the simple freedom to walk about at will, to wipe the sweat from his face, to clean himself after defecating. In some eyes I saw lurking fear and hatred, and in others a kind of fascination, almost a lust, the kind of naked stare that a starving man might cast on a glutton.
    A kind of fever seized me, warm and trancelike, as I walked down the long central aisle between the naked slaves, my nostrils filled with the smell of their flesh, my skin awash in the humid heat of their straining bodies, my eyes roving among the great congregation of suffering constantly asway in the darkness. I was a man in a dream watching other men in a nightmare.
    Away from the drumbeater's platform and the central stairway, the lamps grew fewer, but here and there a bit of moonlight found its way into the dim hold, shining silver-blue on the sweat-glazed arms and shoulders of the rowers, glinting upon the manacles that kept their hands locked in place upon the oars. The dull beat of the drum grew softer as it receded behind me, but continued slow and steady, setting an easy nocturnal pace, its constant rhythm as hypnotic as the hissing murmur of the waves sluicing against the prow.
    I reached the end of the walkway. I turned and looked back, over the labouring multitude. Suddenly I had seen enough; I hurried towards the exit. Ahead of me, illuminated by lamplight as if on a stage, I saw the whipmaster look towards me and nod knowingly. Even at a distance I could see the disdain on his face.
    This was his domain; I was an intruder, a curiosity seeker, too soft and too pampered for such a place. He cracked his whip over his head for my benefit and smiled at the wave of groans that passed through the slaves at his feet.
    I put one foot upon the stair and would have followed with the other, but a face in the lamplight stopped me. The boy must have reminded me of Eco, and that was why I noticed his face among all the others. His place was in the highest tier along the aisle. When he turned to look at me a beam of moonlight fell upon one cheek, casting his face half in moonlight, half in lamplight, split between pale blue and orange. Despite his massive shoulders and chest, he was hardly more than a child. Along with the filth