has a beard like a Byzantine patriarch—down to his chest, impressive. That beard is the most striking thing about him, because he is small, thin, and stooped; he wears thick glasses and resembles a lecturer in the department of classical languages at one of the older European universities.
During the conquest of Caxito, Comandante Ndozi’s unit took 120 FNLA prisoners; Ju-Ju is interrogating them. They are summoned one by one under a large chestnut tree, where the political commissar is seated on an ammunition crate (grenades, French manufacture, captured from the enemy). By nature a shy man, Ju-Ju speaks politely or even deferentially to each of them and concludes the conversation by imparting a lesson, in the hope that it will lead the prisoner into the correct road of life and endeavor. He begins by evoking feelings of shame and guilt in his subject.
“Aren’t you ashamed,” the political commissar asks, “to be fighting in the FNLA as an agent of imperialism?”
A glum, vacant-looking Bakongo with skin so black that it shades toward violet, and a mug ugly enough to make your flesh crawl, says nothing and stares at the ground. He adjusts a bloody rag tied around his head where a bullet has taken one of his ears off. He sighs and seems ready to cry, but still says nothing.
Ju-Ju encourages him to talk, insists, even offers him a cigarette, although cigarettes are a priceless treasure in Angola and you can save your life for a pack or even half.
The prisoner answers at last that in Kinshasa (in Zaïre) they make roundups of Angolan Bakongos and press-gang them into the FNLA. Mobutu’s troops conduct these roundups. Whoever has the francs can buy his way out, but he didn’t have the francs because he was unemployed, so when they caught him they press-ganged him. It was good in the FNLA because they gave you something to eat. They give you manioc and lamb. On Saturdays they give you beer. If you win a battle, you get money. But he wasn’t in any battles they got paid for. He stole nothing, because everything was already looted and empty from the Zaïrian border to Caxito. He never saw Holden Roberto. He doesn’t know how to read and write. They were surrounded this morning, so they surrendered and here they are. He didn’t kill anybody.
Ju-Ju orders the next one brought in: a Bakongo, with hair that begins right above his eyebrows, reeling in terror. The commissar asks if he isn’t ashamed, etc., then asks where the nearest FNLA troops are.
This one doesn’t know. It was so mixed up that he doesn’t know who was captured and who got away. One mercenary shouted at him, “That way, that way,” and he obeyed and ran right into the MPLA, while the mercenary took off in the other direction and escaped. Among his fellow prisoners, he knows nobody. He and four others were sent from Ambriz to Caxito. They had nothing to eat or drink, because there is nothing on that road. Three died of exhaustion. One disappeared at night. He was left alone. He arrived in Caxito last evening. He wants to drink. He thinks that if there are any FNLA nearby, they will give up tomorrow on their own because there is no water in the vicinity except in Caxito. They will hold out overnight and perhaps until noon, then they will come in because otherwise they’ll die of thirst.
The next prisoner looks twelve. He says he’s sixteen. He knows it is shameful to fight for the FNLA, but they told him that if he went to the front they would send him to school afterward. He wants to finish school because he wants to paint. If he could get paper and a pencil he could draw something right now. He could do a portrait. He also knows how to sculpt and would like to show his sculptures, which he left in Carmona. He has put his whole life into it and would like to study, and they told him that he will, if he goes to the front first. He knows how it works—in order to paint you must first kill people, but he hasn’t killed anyone.
It was dark by
During the conquest of Caxito, Comandante Ndozi’s unit took 120 FNLA prisoners; Ju-Ju is interrogating them. They are summoned one by one under a large chestnut tree, where the political commissar is seated on an ammunition crate (grenades, French manufacture, captured from the enemy). By nature a shy man, Ju-Ju speaks politely or even deferentially to each of them and concludes the conversation by imparting a lesson, in the hope that it will lead the prisoner into the correct road of life and endeavor. He begins by evoking feelings of shame and guilt in his subject.
“Aren’t you ashamed,” the political commissar asks, “to be fighting in the FNLA as an agent of imperialism?”
A glum, vacant-looking Bakongo with skin so black that it shades toward violet, and a mug ugly enough to make your flesh crawl, says nothing and stares at the ground. He adjusts a bloody rag tied around his head where a bullet has taken one of his ears off. He sighs and seems ready to cry, but still says nothing.
Ju-Ju encourages him to talk, insists, even offers him a cigarette, although cigarettes are a priceless treasure in Angola and you can save your life for a pack or even half.
The prisoner answers at last that in Kinshasa (in Zaïre) they make roundups of Angolan Bakongos and press-gang them into the FNLA. Mobutu’s troops conduct these roundups. Whoever has the francs can buy his way out, but he didn’t have the francs because he was unemployed, so when they caught him they press-ganged him. It was good in the FNLA because they gave you something to eat. They give you manioc and lamb. On Saturdays they give you beer. If you win a battle, you get money. But he wasn’t in any battles they got paid for. He stole nothing, because everything was already looted and empty from the Zaïrian border to Caxito. He never saw Holden Roberto. He doesn’t know how to read and write. They were surrounded this morning, so they surrendered and here they are. He didn’t kill anybody.
Ju-Ju orders the next one brought in: a Bakongo, with hair that begins right above his eyebrows, reeling in terror. The commissar asks if he isn’t ashamed, etc., then asks where the nearest FNLA troops are.
This one doesn’t know. It was so mixed up that he doesn’t know who was captured and who got away. One mercenary shouted at him, “That way, that way,” and he obeyed and ran right into the MPLA, while the mercenary took off in the other direction and escaped. Among his fellow prisoners, he knows nobody. He and four others were sent from Ambriz to Caxito. They had nothing to eat or drink, because there is nothing on that road. Three died of exhaustion. One disappeared at night. He was left alone. He arrived in Caxito last evening. He wants to drink. He thinks that if there are any FNLA nearby, they will give up tomorrow on their own because there is no water in the vicinity except in Caxito. They will hold out overnight and perhaps until noon, then they will come in because otherwise they’ll die of thirst.
The next prisoner looks twelve. He says he’s sixteen. He knows it is shameful to fight for the FNLA, but they told him that if he went to the front they would send him to school afterward. He wants to finish school because he wants to paint. If he could get paper and a pencil he could draw something right now. He could do a portrait. He also knows how to sculpt and would like to show his sculptures, which he left in Carmona. He has put his whole life into it and would like to study, and they told him that he will, if he goes to the front first. He knows how it works—in order to paint you must first kill people, but he hasn’t killed anyone.
It was dark by