Stamford.
Tom was away in Frankfurt again – or was it Bologna – conferring with publishers about translations, reprints and bestsellers. He was all over the place these days, but would shine in tomorrow, merry and bright before burying himself back in the office.
The melancholy notes of Elgar stopped, and Tom’s voice vibrated at her ribs, as if he had been dead a year and was talking from the other side of heaven or hell, if there were such places, which she wouldn’t believe till she had been there and seen for herself. His tone was low-pitched, and eerily confidential in case someone who shouldn’t be was pressing an ear to the other side of the door.
‘Diana? Tom. It’ll be marvellous. Can’t bear to wait. I know. Have to, won’t I? We both will.’ He gave a sneaky laugh, new to Angela. ‘It’ll be worth it, I know.’
She sat in an armchair, and his voice was clearer. Her flesh felt as if coated with ice. Last night she had been to see a play at Notting Hill Gate. He had come in before her, and complained of exhaustionwhen she got into bed with nothing on and laid lovingly by him.
‘No, I won’t pick you up. Get a taxi, or a minicab, if you like. All right, a proper black cab. Safer these days. I’ll see you at the check-in. Oh, don’t worry, I’ll be there. Who? Norman Bakewell? How did his interview go? Yes, he’s always very good. I’ve never known him not to be, providing he’s interviewed by an attractive woman. You saw him afterwards? What did he say? No, he doesn’t know about us. Nobody does. He is a vile old gossip. Angela? Glad to get rid of me, I expect. How do I know what she does? Of course she doesn’t, so don’t get nervous. I must hang up, though. See you at the check-in. You’ve got your ticket and passport?’ Another sneaky laugh. ‘You’d look a right charlie getting there and finding it was out of date. I’ve heard of it happening. Mine? I check it every morning before brushing my teeth. Can’t wait, either, my darling. Love you. Yes, a lot. Love you, then. ’Bye. All right. ’Bye, love.’
No more voice. She knew she should laugh, but her lips wouldn’t untwist. Like an episode from one of Bakewell’s gloating and cynical books. Well, the next chapter would be hers. The heating was on full but her hands and feet were cold. Maybe an unknown voice would come out of the hissing tape with the gen on how to kill herself. Better still if it told her the best way of doing him in without being found out.
She couldn’t think, so neither was likely, head blocked solid till her eyes were sore. At the end of the Elgar she had needed to go into the bathroom and pee, but didn’t want to anymore. When she did she might squat over those lovely bespoke frilly fronted shirts he was fond of poncing around in.
Diana, he had called her. ‘Diana,’ she said aloud, ‘I’ll fucking Diana her. I’ll dish him, as well. I’ll make the bastards spit tacks.’ The only time he had shed tears was once when she asked him to peel some onions before a dinner party.
THREE
T OM TOOK INTO account only the surface features of life, and never went properly into the depths to try and make sense of the turmoil, and bring it under some form of control. In any case, to imagine it would be beneficial or worthwhile or – more important – costeffective, was futile. Wasn’t the dazzle of the surface more attractive than trawling for significance in the stinking slime? Such nitpicking was the work of novelists like Norman Bakewell who, in their hit or miss fashion, manage it fairly well, and make it amusing to read about.
Any answers might be too gloomy to endure, or too bland to respect, and only those without a satisfying life deceived themselves into thinking an explanation could be dragged out of the subconscious (whatever that was) or that any good was to be had from fruitless revelations. And suppose you were telling someone about yourself, who would be interested in self pitying