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never speak to and will never know. I walk past the shop and see him inside bustling around and—poof—I continue walking and he no longer exists to me. I can hear Dennis teasingly chiding me in school. “Juneau, give us all a break and save the existentialism for our philosophy discussion group.”
    A few minutes later, a woman with white hair steps out of a doorway, and once again I am petrified with alarm. Her face is wrinkled, and although I’ve seen pictures of old people before, this is the first time I’ve witnessed one with my own eyes. I feel like I’m looking at an alien—someone from a world away. My spine tingles with the newness of the experience.
    She turns and catches my gaze but, after casting a curious glance at me and the dogs, ignores us as she goes along her way. I spy a fenced-off area of grass and trees, make a beeline for it, and take refuge on a bench. I sit there with the dogs as the city comes alive. Until I can watch people come and go without my heart racing.
    A man sits down on a bench across from me, sets down a steaming white cup next to him, and pulls out a newspaper. I tell the dogs to stay, and I walk over. He looks at me, and his eyebrows shoot up in surprise. I can tell I look odd to him. No one else I’ve seen is dressed in furs and skins. “Can I help you?” he asks.
    “Where are we?”
    He looks around us and back at me. “In a park,” he says, shrugging.
    “I know we’re in a park,” I say, “but what city is this?”
    “Anchorage,” he responds. He narrows his eyes like he thinks it’s a trick question, and then his expression changes to concern. “Are you lost?” he asks.
    “No,” I say, and whistle for the dogs, who flank me in seconds flat. We begin to leave the park, but I hesitate. When I turn back around, I see the man is still watching me, and I have to ask.
    “Tell me—how did this city escape the war?”
    “What war?” he asks, intrigued.
    “World War III. The Last War. The War of 1984,” I reply, identifying it in every way I know.
    He opens his mouth and out spill the words that, since last night, I have suspected were true. “There hasn’t been a World War III,” he says, “knock on wood,” and he raps his knuckle against the park bench.
    I feel a wave of nausea wash over me. I have to sit down. My face and palms feel clammy, and I think I’m going to throw up. I return to my park bench and put my head between my knees until the nausea passes. I see the man leave, throwing a worried look my way before pushing through the metal gate and disappearing. I try to reason through what he told me.
    There was no war. I still can’t believe we were so close to this city, yet we knew nothing. How could my father and the other elders have been so mistaken?
    There’s no way they could know what happened, I realize. They’ve been isolating themselves for thirty years.
    I push these thoughts aside. I have to find my clan. Even if their kidnappers aren’t brigands, they took my people and killed our animals. And I still have to find Whit. I need a clear sign to know what to do.
    And suddenly the right person comes along. Someone whose thoughts are free of the restrictions of reality. Whose mind is open enough to access the collective unconscious shared by all humans past, present, and future.
    She is an old woman dressed in a coat of rags. She pushes her way through the iron gate, dragging behind her a metal cart piled high with strange objects: old shoes, stacks of paper, aluminum cans laced on a string that clatter as they drag behind her.
    She crosses the park and, seeing me, approaches. Beckett and Neruda glue themselves to either leg but don’t growl. She stops at the other end of my bench and slowly lowers herself to sit. Stowing her cart next to her, she pats it lovingly, like it is a baby in a carriage instead of a mountain of garbage. Then, turning, she looks vaguely in my direction. Her expression is glazed-over. Opaque.
    “The men—they