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acid-tongued Rudel would have said about this.
    In the meantime, the celebrated southern spring came to Arbonne, with many-coloured wildflowers appearing almost overnight in the meadows and the high slopes about Castle Baude. The snows were reported to be receding from the mountain pass to Arimonda. As the poet’s verses grew in heat and passion with the quickening season, so did the throbbing voices of the joglars who had begun arriving in Baude as well, knowing a good thing when they saw one. More than one of the corans and castle servants had private cause to thank the troubadour and the singers and the erotic atmosphere they’d induced for amorous interludes in kitchen and meadow and hall.
    Unfortunately for him, Evrard’s own cause was not aided by the all-too-evident reality that he was short, yellow-toothed and prematurely losing what thin hair he’d once had. Still, according to the great tradition, troubadours were supposed to be loved by the high ladies of culture and grace for their art and their fierce dedication, not for their height or hair.
    Trouble was, Soresina de Baude didn’t seem to care much for the great tradition, or that part of it, at any rate. She liked her men to look like the warlike corans of the great days past. Indeed, she’d made a point of telling Blaise as much shortly after he’d arrived, looking artlessly up at his tall, muscled form and then glancing down and away in transparently feigned shyness. Blaise, somewhat used to this sort of thing, had been neither surprised nor tempted. He was being paid by Mallin and had shaped his own code in such matters.
    What Evrard of Lussan shaped, later that spring, was something else. In brief, the little troubadour, having downed a considerable quantity of unmixed Miraval red wine with the corans one night, finally elected to translate his fiercely impassioned verses into modestly passionate action.
    Inflamed by a joglar’s fervid rendition of one of his own ballads earlier that evening, the troubadour had left his sleeping place late at night and stumbled along dark and silent corridors and stairways to Soresina’s door, which happened, unfortunately for all concerned, to be unlocked: Mallin, young, healthy, tall enough, and rather urgently seeking heirs, had but lately left his wife for his own chamber nearby.
    The intoxicated, verse-enraptured poet had entered the pitch-black chamber, felt his way over to the canopied bed and planted a lover’s kiss upon the lips of the satiated, sleeping woman he was busily making famous throughout Arbonne that spring.
    There were a good many schools of thought evolving, in the aftermath of the event, as to what Soresina should have done. Ariane de Carenzu, queen of the Court of Love since the countess, her aunt, had passed the title to her, had proclaimed a session to rule on the matter later in the year. In the meantime, every man and womanBlaise encountered in the castle or outside it seemed to have an opinion on what he himself regarded as an entirely predictable, utterly trivial event.
    What Soresina had done—quite naturally, or very unfortunately, depending on one’s perspective—was scream. Roused from post-coital dreaming, then realizing who was in her chamber, she cursed her stunned, besotted admirer, in a voice heard by half the castle, as a rude, ill-bred peasant who deserved a public whipping.
    What Evrard of Lussan, wounded to the core of his all-too-sensitive soul, had done in turn was leave Baude Castle before sunrise, proceed directly to the nearest sanctuary of the goddess, receive benediction and consecration and, making his way to the coast, cross by boat to Rian’s Island in a retreat from the harsh, ungrateful society of women and castles that could so abuse the unstinting generosity of his art.
    Safely on the island, away from the terrible storm and strife of the world beyond, he had begun soothing and diverting himself by composing hymns to the goddess, along with some