now.’
FOUR
Emerging from the deep shadow cast by the trees on the banks of the torrent we could see a small figure travelling towards us across the grass at a tremendous rate, rather like one of those gompa lamas who move across the Tibetan plateau at high speed, negotiating what would seem to be impossible obstacles on the way. A method of progression made possible only because they are in a trance state.
Soon we could see him clearly. A tiny, wizened man, bent by a lifetime of toil, toothless so that in profile his mouth looked like a new moon. He was old, how old it was impossible to say, anything between seventy and eighty, quite possibly even more.
As he drew near we could hear him talking to himself in an animated way, and occasionally laughing at some private joke. He was certainly nothing like a gompa lama , more like a benevolent gnome.
He was dressed in a pale-coloured jacket, baggy trousers, a white, open-necked shirt and on his head he wore a big, palecoloured cap that looked a bit like an unbaked sponge cake. Everything about him was very clean looking.
Now he was abreast of us and I prepared to welcome him, or for him to welcome Signora Angiolina, or welcome the three ofus. But he did none of these things. Instead, he looked at us benevolently, cackled a bit while fishing a modest sized key from a pocket, said something that sounded like ‘Bisogna vedere un po’, the equivalent of ‘I’ll have to think this out a bit’, then opened the door to ‘Attilio’s Bedroom’, took the key out of the lock and went in and shut the door, still continuing to chuckle away on the other side of it.
I was completely bowled over by this encounter. I was sure I had met him before on two occasions in 1943, after the German occupation of Italy.
The man I remembered had looked more or less the same age and that was twenty-four years ago. Then I had thought of him as being very old, I suppose because anyone over the age of forty looks old when you yourself are twenty-four. And I remembered that he had already lost his teeth which had made him look older than perhaps he was.
The first time had been at the end of September when he had been the mysterious third man in the car decorated with a red cross in which an heroic Italian doctor had been driving me to the Apennines along the Via Emilia, what was then the main German line of communication with the battle front to the south. In Parma, which was stiff with Germans, the car, a Fiat propelled by gas, had broken down in Piazza Garibaldi, the main square of the city. There we had been surrounded by German Feldgendarmen armed with Schmeisser machine pistols telling us to hurry up with our repairs and be gone. While the doctor and I had been trying to get it going Attilio, if that was who he was, had sat in the back seat, dressed in a garment called a tabar , a voluminous cloak, cackling away at them completely unafraid.
The second meeting I had with this mystery man was later that winter when he literally saved my life after I had become hopelessly lost in a thick forest and got soaked to the skin in a river.He had put me up for the night in what must have been one of the loneliest houses in the Apennines. The front door of that house was almost exactly the same as the one here, at I Castagni. I wondered if it reminded him of it too.
It was Attilio (or was it?) who, later that same evening in the house in the mountains, told me the extraordinary story of what happened after Maestro Giovanni shot the Bird with the Golden Wings and gave it to the King; and it was he, the following morning, who put me on the right track back to the cave in which I had been living, and from which I had strayed like a lost sheep.
But it was impossible that he and Attilio could be the same man, if for no other reason than that of age. The man I had known in the autumn of 1943 must have been long since dead.
‘What we’ve got to do, before we buy the house, is to talk to him,’ Wanda