not enter the scene until it was deemed safe by officers.
Was the boy dead? Where were his parents? Were they still shaking hands with visitors, unaware their oldest son possibly lay dyingâor was already dead?
Joseph gripped the tie heâd yanked from his neck, wishing he had the shooter by the throat instead. After the gunshot, Catelyn had secured the area, then bolted toward the fallen boy, placing her own life in danger, doing what she could for him while keeping an eye on the area around her.
Joseph had raced to the balcony after the shooter, knowing he was probably too late.
He found nothing but a spent cartridge. The shooter had disappeared as quickly as heâd appeared. Joseph radioed to let EMS know they could approach.
He looked around again. The person had left in a hurry and hadnât bothered to clean up. Joseph turned back inside, studying the room. The shooter had either come up the stairsor the elevator. Joseph would bet the stairs in case there was a camera in the elevator.
But theyâd check it anyway.
He walked over to a door just off the room. Twisted the knob. Locked. The sign said Employees Only.
âExcuse me, sir?â
Joseph turned to see a dark-suited man with a name tag that read Butler Dietz. Joseph asked, âWhat are you doing up here? Can you open this room?â
The manâs brow furrowed. âI work here.â He pulled a set of keys from his pocket, located the right one and unlocked the door. Joseph glanced in.
A room full of coffins. And everything looked relatively undisturbed. He spoke into his radio, âSet up a perimeter, question everyone, donât let anyone leave the scene.â An affirmative answer squawked back at him.
He turned the worker, saying, âOkay, thanks. I need you out of here, too. This is a crime-scene and I need to keep it preserved.â
Flustered, the man nodded and headed for the stairs, meeting a swarm of cops coming up. Joseph motioned for one of the officers to escort the man down, then filled the rest of them in on the situation. âCrime-scene unitâs on the way.â
âWeâve got this covered,â a tall officer assured Joseph.
Joseph loped back down the steps to find Catelyn watching a man work on Zachary, the EMTs offering their assistance as it was requested.
She looked up at his approach, question in her eyes.
Joseph pursed his lips and shook his head. âNo, he got away.â
âHe?â
A shrug. âHe, she. Whoever. The shooterâs gone. Crime scene unitâs on the way. Uniforms are preserving the scene.â Hepointed to the man on his knees beside Zachary. âWhoâs this guy?â
âA doctor. He insisted on trying to help.â
The man looked up. âI was late coming from the hospital for the funeral. Iâm a friend of the Merritts. When I saw all the commotion, I thought Iâd see if I could help.â He looked back down at Zachary who lay still and pale. âThe bullet grazed his head. It didnât enter the skull, which is a good thing, but it might have fractured it. Iâve called a neurologist. Heâll be waiting at the hospital when we get there.â
âThanks.â
A man rushed up and said, âOh myâ¦can I do anything?â
âWho are you?â Joseph queried.
âIâm Alan Dillard, the baseball coach at Esterman High. Zachary wasâ¦is one of my players. Whatâs going on? Who would do such aâ¦â
âZachary! Oh, no, oh, myâ¦â Joseph turned to see Zacharyâs mother rushing from the mortuary. The boyâs father was right behind with the younger brother bringing up the rear.
âWhat happened? Whatâs going on? Why is this happening?â The distraught woman wailed her grief, echoing the coachâs questions. Two of her three children: one dead and one severely wounded. His heart went out to her.
Alan Dillard grabbed the womanâs shoulder,
Jack Ketchum, Tim Waggoner, Harlan Ellison, Jeyn Roberts, Post Mortem Press, Gary Braunbeck, Michael Arnzen, Lawrence Connolly