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one of those novels. That was the summer of 1968, and my family was in Iceland. I cannot think of Reykjavik without the thought that I was David and Jane and Catherine there in that house, where I found it hard to sleep, because the sun never set. I would go to the window and lift the shade in the bedroom and look out into the eerie light that fell over the roofs, not daylight at all, some other light I had never seen before and have never seen since. The otherworldly landscape of Iceland has come to mean story for me. My father took us out into the countryside to the places where the sagas are said to have taken place. The sagas are fiction, but their settings are geographically exact. My father stopped the Volkswagen Bug we had rented; and after all six of us had piled out of that tiny car, and we stood on that treeless ground with its black lava rock and smoking geysers and green lichen, my father showed us where Snorre died. “The axe fell on him here!” And when my father said it, I saw the blood running on the ground. When he wasn’t finding the sites where the heroes had wandered, my father was in the library reading about them. The very idea of a library for me is bound to my mother and father and includes the history of my own metamorphoses through books, fictions that are no less part of me than much of my own history.

4
    Seventy-six years after Uncle David walked off the ship at Ellis Island, I arrived at the airport in New York City. It was early September 1978.1 didn’t know a living soul in the place. My suitcase was heavy, and nobody helped me carry it, something unheard of in Minneapolis. But frankly, even this indifference from New Yorkers didn’t bother me. I had left small-town, rural life for good, and I had no intention of ever returning, not because I didn’t like my home but because I had always known that I would leave. Leaving was part of my life romance, part of an idea I had about myself as a person destined for adventure; and as far as I could tell, adventure lay in the urban wilds of Manhattan, not in the farmland of Minnesota. This was my guiding fiction, and I was determined to make good on it. I had a tiny room in International House, on West 123rd Street at Harlem’s border. My first three days were spent rereading
Crime and Punishment
in a state that closely resembled fever. I couldn’t sleep, because the noise from traffic, sirens, garbage trucks, and exuberant pedestrians outside my window kept me wide awake all night. I had no friends. Was I happy? I was wildly happy. Sitting on my bed, which took up most of the space in that narrow room, I whispered prayers of thanks that I was really and truly
here
in New York, beginning another life. I worshipped the place. I feasted on every beautiful inch of it—the crowds, the fruit and vegetable stands, the miles of pavement, the graffiti, even the garbage. All of it sent me into paroxysms of joy. Needless to say, my elation had an irrational cast to it. Had I not arrived laden with ideas of urban paradise, I might have felt bad losing sleep, might have felt lonely and disoriented, but instead I walked around town like a love-struck idiot, inhaling the difference between
there
and
here.
I had never seen anything like New York, and its newness held the promise of my future: dense with the experience I craved—romantic, urbane, intellectual. Looking back on that moment, I believe I was saved from disappointment by the nature of my “great expectations.” I honestly wasn’t burdened with conventional notions of finding security or happiness. At that time of my life, even when I was “happy,” it wasn’t because I expected it. That was for characters less romantic than myself. I didn’t expect to be rich, well fed, and kindly treated by all. I wanted to live deeply and fully, to embrace whatever the city held for me, and if this meant a few emotional bruises, even a couple of shocks, if it meant not eating too well or too often, if it