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canopies. They seemed to be staring down at me with looks of pained amusement. In my own house, I would never have left the gentlemen to the port, not only because it was my favorite beverage, but also because I disliked being excluded from what, typically, was the most interesting conversation of the evening. I glanced at Robert, who was incapable of masking the panic on his face, and decided that tonight, at least, I would join the ladies.
    I rose from my chair and saw the countess smiling at me. “What a disappointment,” she said. “I thought Lady Ashton was quite opposed to ladies being excluded from port. I shall have to soldier on without her, as I have no intention of being exiled to coffee in the sitting room.”
    My face grew hot. I stammered, trying and failing to form a pithy reply. Ivy took my arm. “Lady Ashton is kind enough to accompany me because she knows I cannot do without her.”
    “She is quick, then, to abandon her principles. Perhaps they only hold when she is in the familiar surroundings of her own home. But if one is to be an iconoclast, one must expect to live with some measure of discomfort.”
    “It is an admirable thing to put the needs of a friend before one’s own personal agenda,” Colin said, his gaze fixed on me.
    “I find, Countess, that there are some things more important than blindly following one’s principles. There are situations where the concerns of others ought to take precedence,” I said.
    “I couldn’t agree more.” She looked at Colin as she said this. Before I could reply, Ivy steered me through the door.
    “I can’t believe he ever cared for her,” she whispered as we left. I did not reply, and instead silently wondered how deep his feelings for her had run.
    We entered the great parlor, a room the family used only after dinner and, to my mind, the loveliest in the house. Somehow having escaped Mrs. Reynold-Plympton’s attentions, it had been left in the style of the seventeenth century, curved wood beams crossing the ceiling, and white plaster on the walls at two ends. In the center of the roof was a charming frieze depicting the tragic story of Orpheus and Eurydice. The walls were lined with display cases of beautifully simple blue-and-white china. A soft Oriental carpet covered part of the wide, polished planks of the floor, and chandeliers emitted a soft, flattering light. The only failing was that the room was so cold I wondered if a window had inadvertently been left open. Many country estates are notorious for being drafty, but Beaumont Towers elevated what might have been a failing of architecture to the level of political statement.
    An obliging footman had left on a table the stack of books I’d chosen from the library. I selected one of them and sat on a couch tucked into the inglenook, eager to be as close to the small fire as possible. Soon I was fully distracted by the wit of Aristophanes. I’d brought along my copy of Mary Elizabeth Braddon’s The Doctor’s Wife for Ivy. She sat opposite me, engrossed in the story of Isabel Gilbert, who, by marrying too early, missed having for her husband a man sprung from her dreams—dreams that had been fueled by novels. Robert, no fan of popular fiction, would have found both the premise and the execution unconscionable. A quarter of an hour passed in relative silence. Then another. Then, a commotionin the hall: raised voices—one obviously Lord Fortescue, the other more difficult to identify—the sound of someone striking the wall, and a door slamming.
    Curious, I darted into the hallway, hoping to see who was the object of our host’s ire, but there was no one there. I went back into the parlor, where I found it increasingly difficult to concentrate on Aristophanes.
    Ten minutes later the gentlemen finally joined us. The countess entered with Lord Fortescue, who was all smiles. Apparently not all strong-willed women troubled him; his displeasure was selective. Mr. Harrison stood by himself in a