Tags:
Fiction,
Suspense,
Thrillers,
Suspense fiction,
Horror,
Good and Evil,
Psychic trauma,
Nineteen sixties,
High school students,
Rites and ceremonies,
Horror Fiction,
Madison (Wis.)
essential way of seeing things. Despite the damage he caused to every one of these kids, I have to respect his honesty on this point. Like every other phony sage and prophet wandering through campuses in the mid-to late sixties, Spencer Mallon promised an end to time and a new apocalypse; unlike most of the others, he admitted that the end of time might last only a moment, or take place only in the throwing open of a mental window. I hate the man, I think he was a phony who got lucky in the worst possible way, but I have to respect this evidence of what feels to me like wisdom. If not wisdom, a conscience.
My girlfriend—Lee Truax, the Eel—and her companions went to the Tick-Tock Diner, called the Aluminum Room for the odd, reflective, tinfoil-like material covering its walls, and in that unlikely little dump a stunning blond girl named Meredith Bright welcomed the Eel and Hootie into the end booth where she sat alone with a copy of a book called Love’s Body by Norman O. Brown (one of Spencer Mallon’s guides and teachers, in this case literally). Down at the front of the diner, terrible Keith Hayward and his roommate, Milstrap, regarded the scene in jealousy and disgust. (It should be noted that even at this first meeting, both my wife and Hootie found Keith Hayward oddly unsettling.) True to her time if not her type, Meredith had some expertise in concocting horoscopes, and it turned out that she had wheedled Mallon, her guru and lover, into letting her draw up a horoscope, or maybe a series of horoscopes, I’m not sure how this works, to determine the astrological signs most desirable in his followers. According to her calculations, the group required a Taurus and a Pisces, exactly what Eel and Hootie were, to accomplish its ends. Less urgently, they also needed a Scorpio and a Cancer, Dilly’s and Boat’s ssigns. So they were doomed from the start, all of them. It was in their stars.
I’m sure this was genuine: I don’t believe Meredith cooked up a phony chart after encountering my friends in the Aluminum Room. Although to me such recognitions cannot but sound delusional, I believe that Meredith Bright understood that Eel and Hootie satisfied her crucial astrological requirements the minute she spotted them staring up at her from the bottom end of the counter. I think of how innocent they must have looked, how tremendously innocent they actually were, and how appealingly innocent they must have seemed to Mallon, who devoured innocence wholesale. Having guessed what she needed only to confirm, Meredith summoned Eel and Hootie before her with a beckoning look, and after asking for their names, she did the same for their astrological signs. Bingo! On the money! And what luck, a Taurus and a Cancer were sitting right down at the end of the counter, what do you know, they must all come to an eight o’clock gathering, two nights hence, in the lower room at La Bella Capri. Please. Pretty please, with sugar on the top. Meredith Bright actually said that.
Because they could not have resisted any such invitation from the world’s most desirable woman, they immediately agreed to show up in the downstairs dining room of the State Street Italian restaurant they had known all their lives. The Eel asked me to come along, Dilly tried to cajole me into joining them, but I had not gazed into the bottomless, speaking eyes of Meredith Bright, and I said no. It was not even as though they were still pretending to be UW students, because Meredith Bright had understood from the first that they were in high school. My friends and my lover, for Lee Truax and I had been sleeping together since our fifth date, tried but failed to sell me on the mystery and glamour of Spencer Mallon (as described by Miss Bright).
And the next time we were alone, Eel asked me, “You really don’t want to go? It’ll be so cool, it’ll be so interesting! This Mallon guy won’t be like anyone you’ve ever seen before. Come on, sweetie, don’t you