mentally stimulating activity, and relatively happy, so Gibby decided to check on him in a few hours. When afternoon came, Gibby returned to Mutt's room and found Mutt asleep in his bed with the alarm resting just as it should have been on his bedside table, telling good time, and set to go off in thirty minutes-which it did. From then on, Mutt became the Mr. Fix-it of Spiraling Oaks. Doors, computers, lights, engines, cars, anything that didn't work and should.
Tedious detail was not tedious to Mutt. It was all part of the puzzle. One afternoon, Mutt discovered Gibby tying his own flies. He pulled up a chair and Gibby showed him a fly he had bought at a high-end fly-fishing store called The Salty Feather-owned by a couple of good guys who sold good equipment, gave good information, and charged high prices. Gibby had bought a Clauser, a particular fly used for red bass in the grass beds lining the St. Johns. Gibby was sitting at his desk, trying to imitate it, but having little luck. Mutt looked interested, so Gibby gave him his chair, put on his white coat, and walked down the hall to check on a few patients, never saying a word to Mutt. He returned thirty minutes later and found Mutt tying his fifteenth fly. Gibby's fly-tying book lay open on the desk, and Mutt was copying the pictures. In the months that passed, Mutt made all of Gibby's flies. And Gibby started catching fish.
But beyond engines, clocks, and flies, Mutt's most remarkable talent centered around stringed musical instruments. While he had no interest in playing one, he could time it to perfection. Violin, harp, guitar, banjoanything with strings. Especially the piano. It took him a few hours, but given time, he could make each key sing true and crisp as a lark.
Mutt heard the fly before he saw it. His ears zeroed in on the sound, his eyes caught a flash, and his brow wrinkled as he watched it hover around his applesauce. That was not good. Flies carried germs. Maybe today was not the day to not eat his applesauce. He'd just flush the stuff and be done with it ... But he knew he couldn't do that either. Because in an hour and twenty-two minutes, Vicki, with her shiny panty hose, fitted knee-length skirt, cashmere sweater, and perfume that smelled like Tropicana roses, would walk in and ask him if he had eaten it. At thirty-three years of age, Mutt had never been with Vicki-or any other woman-and his affection for the sound of panty hose rubbing against panty hose was anything but sexual or lustful. But that kneeknocking, woman-soon-to-walk-around-the-corner sound triggered a memory-almost a remembering-that all the others threatened to squeeze out, choked by the forearm-size vines that encrusted it. The swish-swoosh sound of nylon on nylon brought back the notion of being picked up by small but strong hands, of being dusted off and held close and tight to a soft bosom, of being wiped clear of tears, of being whispered to. In the afternoons, he'd lie next to his bedroom door, his ear pushed up against the crack near the floor like a confederate soldier on a railroad track, and listen while she made rounds.
Twenty-five rubber gloves, four rolls of paper towels, and half a gallon of bleach and Windex later, the sound in the hallway at last drew close. A woman's shoes clicking on sterile tile accompanied by the characteristic swishswoosh, swish-swoosh, swish-swoosh of nylon on nylon.
Vicki walked in. "Mutt?"
Mutt popped his head out of the bathroom where he was scrubbing the windowsill.
She saw the activity and asked, "See another fly?" Mutt nodded. She scanned his lunch tray and settled on his full cup of sauce. "You didn't touch your lunch at all," she said, her voice curiously rising. Mutt nodded again. She held up the bowl and said, "Sweetheart, you feeling okay?" Another nod. Her tone was an even mixture of mother and friend. Like a big sister after having moved back into the house after college. "You want me to get you something else?" she asked,