doors facing him. He chose the centre one. He turned the handle softly and edged the door open. The smell came to him stronger now. It reminded him of the smell from a butcher's shop. When he got the door half open, he paused and listened, then he stepped in and pushed the door to behind him. His torch lit up the light switch and he snapped it on.
He looked round the well-furnished bedroom, his finger itching on his gun trigger. There was no one there. He turned and twisted the key in the lock. He wasn't taking chances. Then he wandered round the room thoughtfully.
A woman's room. The dressing-table had the usual stuff. The bed was small, and a big nightdress case in the shape of a flaxen-haired doll lay on the pillow.
Fenner went over to the wardrobe and looked inside. There was one costume hanging on the peg. Nothing more. There didn't have to be anything more; it was the costume that Marian Daley had worn when she called on him.
Fenner touched it thoughtfully while he tried to visualize Marian Daley. He took the costume out of the cupboard and tossed it on the bed. There was more spring in his step as he went over to the chest of drawers. In the top drawer was the prim little hat. He tossed that on the bed too. In another drawer he found a bundle of underclothes, a suspender girdle, stockings and shoes. He threw all these on to the bed. Then he went over to the dressing-table and jerked open the small drawer under the mirror. Stuffed inside was her handbag. He pulled it out with difficulty, and walked with it across the room. He sat on the bed, slapping the bag on his open palm and staring hard at the carpet. He didn't like this at all.
He opened the bag and spilled the contents on to the bed. The usual junk a woman carries around clattered into a small, rather pathetic pile. He stirred the pile with his finger and then looked in the bag again. There was nothing there that he could see, and he put two fingers inside and ripped out the lining. Crumpled at the bottom of the bag, either hidden there, or else slipped through the lining, was a piece of paper. He spread it out and peered at it. It was a letter on a single sheet of notepaper in a large careless hand. It read:
Key West.
Dear Marian,
Don't worry. Noolen has promised to help me. Pio doesn't know anything yet. I think things will come out all right now.
The letter was unsigned.
Fenner folded the paper carefully and put it in his cigarette-case. He sat on the bed, thinking. Key West and the two Cubans. Something was beginning to add up. He got to his feet and made a systematic search of the whole room, but he found nothing else. Then he unlocked the door, snapped off the light and stepped quietly into the passage.
He eased his way into the room on the left. His torch showed him that it was a fair-sized bathroom. Making sure that the curtain was drawn over the window he reached out for the light switch. The smell in the room was making him feel a little sick. He knew now what it was and he was steeling himself to turn on the light. It flashed on as he turned the switch down with exaggerated care.
In the hard light the room looked like an abattoir after a full day's work. The bath stood against the wall and was covered with a blood-spotted sheet. The wall was marked red and the floor by the bath was red. A table stood near the bath and that, too, had a blood-soaked towel on it. Fenner could see that it covered something.
He stood very still, looking round the room, his face white and set. He took a slow step forward and, hooking his gun-barrel under the towel, he flicked it off the table. A slender white arm, ruthlessly hacked off at the shoulder, wobbled on the table and then rolled off and fell on the floor at his feet.
Fenner felt the cold sweat of sickness break out all over him. He hastily swallowed