like gettinâ shot at to sober a girl up, huh?â
âOr a man, for that matter,â Clint said. They had entered the hotel lobby and were walking to the stairs. âYou did really well, by the way.â
âThanks,â she said. âThatâs a big compliment cominâ from you.â
âAnd you thanked me for it,â Clint said. âSee? Youâre learning.â
When they got to the second floor, he walked her to her door. They stopped there.
âWell . . .â she said.
âIâll talk to the sheriff in the morning about getting to see the mayor,â he said. âIâll keep my word.â
âI figured you would.â
âWould you like to have breakfast together in the morning?â he asked.
âIâd like that,â she said.
âIn the lobby at eight?â he asked.
âSounds good.â
âWell,â he said, âIâm just down the hall. Good night.â
âGood night.â
As he walked to his door, she put the key in hers, unlocked it, opened it, and went inside.
ELEVEN
Clint got as far as taking off his gun belt when there was a knock on his door. He removed the gun from the holster, dropping the belt on the bed, and went to the door.
âWho is it?â
âDakota.â
He opened the door, holding the gun in plain sight. She stood in the hall, hands clasped in front of her, looking a lot younger than her thirty-six years. She had not removed any of her clothes or her gun belt.
âIs something wrong?â he asked.
âYes,â she said. âCan I come in?â
âSure.â
He backed away to let her enter, then took a quick look in the hall before closing the door and turning to face her.
âWhatâs wrong?â
âYou were about to do something in the street before the shooting started,â she said. âDo you remember?â
âI remember.â
âWell . . . itâs still been a long time for me,â she said. âDo you think you could do it . . . now?â
Sheriff Dekker finished going through the dead manâs pockets and came up empty.
âAlbert, you didnât take anythinâ off him, did you?â he asked the undertaker.
âThatâs a insult, Sheriff,â the man said.
âAlbert . . .â
The old man rubbed his hands together, making a dry, raspy sound, and said, âI did take a few dollars from him. Ya know, ta pay for the burial.â
âI donât care about the money, Albert,â Dekker said. âIâm lookinâ for somethinâ thatâll tell me who he is or where heâs from. All I know is that heâs a stranger in town.â
âWell, I ainât taken anythinâ like that, Sheriff.â
âYou sure you didnât take, say, a letter so you could write to the family and ask for more money?â
âI swear, Sheriff,â the man said. âI didnât take nothinâ but a fewâmebbe five dollars.â
âWell,â Dekker said, âhe musta been sittinâ with somebody in the saloon. All right, Albert. Iâm done.â
Albert walked the sheriff to the door, locked it when the lawman stepped outside. Dekker figured no one was going to admit to sitting with the man, not after heâd tried to back-shoot the Gunsmith. He decided to save his questions for the bartender until the morning, then went home to get some sleep. Tomorrow there would likely be more huntersâmost of them amateursâcoming to town in response to the bounty.
Wait until they found the mayor was raising it.
Jack Fiddler heard the shooting from his camp, but didnât bother going to see what was going on. It wasnât any of his business. His business was the Wendigo, and that was all he was concerned with. He pulled his blanket around him and moved closer to the fire. That old horse of his would warn him if anybody came close to camp. He was asleep in