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was the son, Simun, who had been born in the church crypt on a day of fierce shelling, and whose birth had killed his mother. Mladen was a big, bull-shaped man but had knelt before her and she had accepted his guilt.
    The farmer was Petar. His wife had survived the capture of the village and the loss of her son, and lived in a lonely, soundless world. And there was Tomislav, whose elder son was dead, missing, disappeared, whose wife and younger children had fled. He was the one who had known how to use the weapons that should have come through the cornfields that night. There was Andrija, the sniper, who had escaped, his wife Maria, who had been captured and violated, and Josip, the clever one and the coward, the one they needed and the one they despised. She saw them all in Petar’s wide new kitchen, which the government had paid for.
    There were others. She knew each one. She had treated them, ushered them into the world. She dominated them.
    ‘Find them – you owe them that.’
    What hurt as much as the loss of her man – stupid, obstinate, pompous – was that he had not shared with her the detail of the purchase. Who had Zoran met? Who had been given the money and valuables collected in the village? He had spoken only of seeing his nephew from the ministry, but the nephew had been killed by a shrapnel burst at the bridge over the river at Karlovacs. She knew nothing, and it was a cut to her self-esteem.
    She looked each of them in the face, was given mumbled promises that the search for her husband’s body and the three others would start the next day. She snorted.
    The Widow went through the door and the boy, Simun, pushed forward to take her arm and steady her down the steps, but she shrugged him away.
    The sun had dipped. Her shadow was thrown long and sharply angular on the road. She went by the church, most of it rebuilt, and took a lane leading out of the village to the north. She passed one house where Serbs had lived and where the pram chassis had been found, and another where the handcart had been dumped, but there had been no word of what had happened to her husband and the younger men. It was a long walk for her but the sun’s strength had slackened and she had her stick. She hobbled forward on a worn path of packed earth and the corn rose high on either side of her, dwarfing her. Far in the distance there was the tree-line and the river. She went as far as the corn and stopped where the planted strip gave way to verdant weed. At the point where she stood, there would have been, until that morning, a metal sign, a little rusted after thirteen years, that warned of the dangers of going on to mined ground. Birds sang and flipped between the corn stems. A buzzard wheeled. She could imagine how it had been, and that fuelled the hatred.
    To the north, the town fronted on to the great and historic waterway, the Danube river, a winding, sprawling snake with aslow, endless slither. The other three boundaries of the town were formed by cultivated fields that stretched away, that summer of devastating heat, with long strips of corn, sunflowers and vines. Alongside the crops were planted the speciality of that region of central Europe: mines had been rooted in fertile ground, beside the mass graves of civilians and soldiers. That year promised a good harvest – trailer-loads of grain, vats of oil, casks of wine and, as happened every year, the fields would give up more of the maiming devices. More of the graves would be uncovered where the dead had been dumped but never forgotten. The agricultural land on the plateau high above the Danube had always held graves, had always been on a fault line of violence. It was far from the great cities of Europe, remote from the councils of hurrying leaders. Who cared? Life moved on.
    The town surrounded by minefields and mass graves was Vukovar. It had lived, barely, in the eye of a media storm for a few days as winter had set in during an atrocity nineteen years before.