Read The Complete Short Stories of W. Somerset Maugham - II - The World Over for Free Online

that I had remembered who Laura was I was filled with an immense curiosity to see her again. Wyman had exaggerated nothing. The living-room into which we went was the quintessence of commonplace. It was comfortable enough, but there was not a trace of personality in it. It might have been furnished en bloc by a mail-order house. It had the bleakness of a government office. I was introduced first to my host Jasper Greene and then to his brother Emery and to his brother’s wife Fanny. Jasper Greene was a large, plump man with a moon face and a shock of black, coarse, unkempt hair. He wore large cellulose-rimmed spectacles. I was staggered by his youth. He could not have been much over thirty and was therefore nearly twenty years younger than
    Laura. His brother, Emery, a composer and teacher in a New York school of music, might have been seven or eight and twenty. His wife, a pretty little thing, was an actress for the moment out of a job. Jasper Greene mixed us some very adequate cocktails but for a trifle too much vermouth, and we sat down to dinner. The conversation was gay and even boisterous. Jasper and his brother were loud-voiced and all three of them, Jasper, Emery, and Emery’s wife, were loquacious talkers. They chaffed one another, they joked and laughed; they discussed art, literature, music, and the theatre. Wyman and I joined in when we had a chance, which was not often; Laura did not try to. She sat at the head of the table, serene, with an amused, indulgent smile on her lips as she listened to their scatter-brained nonsense; it was not stupid nonsense, mind you, it was intelligent and modern, but it was nonsense all the same. There was something maternal in her attitude, and I was reminded oddly of a sleek dachshund lying quietly in the sun while she looks lazily, and yet watchfully, at her litter of puppies romping round her. I wondered whether it crossed her mind that all this chatter about art didn’t amount to much when compared with those incidents of blood and passion that she remembered. But did she remember? It had all happened a long time ago and perhaps it seemed no more than a bad dream. Perhaps those commonplace surroundings were part of her deliberate effort to forget, and to be among these young people was restful to her spirit. Perhaps Jasper’s clever stupidity was a comfort. After that searing tragedy it might be that she wanted nothing but the security of the humdrum.
    Possibly because Wyman was an authority on the Elizabethan drama the conversation at one moment touched on that. I had already discovered that Jasper Greene was prepared to lay down the law on subjects all and sundry, and now he delivered himself as follows:
    “Our theatre has gone all to pot because the dramatists of our day are afraid to deal with the violent emotions which are the proper subject matter of tragedy,” he boomed. “In the sixteenth century they had a wealth of melodramatic and bloody themes to suit their purpose and so they produced great plays. But where can our playwrights look for themes? Our Anglo-Saxon blood is too phlegmatic, too supine, to provide them with material they can make anything of, and so they are condemned to occupy themselves with the trivialities of social intercourse.”
    I wondered what Laura thought of this, but I took care not to catch her eye. She could have told them a story of illicit love, jealousy, and parricide which would have been meat to one of Shakespeare’s successors, but had he treated it, I suppose he would have felt bound to finish it with at least one more corpse strewn about the stage. The end of her story, as I knew it now, was unexpected certainly, but sadly prosaic and a trifle grotesque. Real life more often ends things with a whimper than with a bang. I wondered too why she had gone out of her way to renew our old acquaintance. Of course she had no reason to suppose that I knew as much as I did; perhaps with a true instinct she was confident that I would not