Long Time No See
were open canisters and boxes strewn everywhere. Underfoot, the floor was a gummy mess of blood and flour, sugar and cornflakes, ground coffee and crumpled biscuits, lettuce leaves and broken eggs. Drawers had been overturned, forks, knives, and spoons piled haphazardly in a junk-heap jumble, paper napkins, spaghetti tongs, a corkscrew, a cheese grater, place mats, candles all thrown on the floor together with the drawers that had contained them.
    “Jesus,” Reynolds said.
     
     
    The body was removed by 12:00 noon. The laboratory boys were finished with the place by two, and that was when they turned it over to Meyer and Carella. The rest of the apartment was in a state of disorder as violent as what they had found in the kitchen. Cushions had been removed from the sofa and slashed open, the stuffing pulled out and thrown onto the floor. The sofa and all the upholstered chairs in the room had been overturned, their bottoms and backs slashed open. There was only one lamp in the living room, but it was resting on its side, and the shade had been removed and thrown to another corner of the room. In the bedroom, the bed had been stripped, the mattress slashed, the stuffing pulled from it. Dresser drawers had been pulled out and overturned, slips and panties, bras and sweaters, gloves and handkerchiefs, socks and undershorts, T-shirts and dress shirts scattered all over the floor. Clothing had been pulled from hangers in the closet, hurled into the room to land on the dresser and the floor. The closet itself had been thoroughly ransacked—shoe boxes opened and searched, the inner soles of shoes slashed; the contents of a tackle box spilled onto the floor; the oilcloth covering on the closet shelf ripped free of the thumbtacks holding it down. It seemed evident, if not obvious, that someone had been looking for something. Moreover, the frenzy of the search seemed to indicate he’d been certain he would find it here.
    Carella and Meyer had no such definite goal in mind, no specific thing they were looking for. They were hoping only for the faintest clue to what had happened. Two people had been brutally murdered, possibly within hours of each other. The first murder could have been chalked off as a street killing; there were plenty of those in this fair city, and street killings did not need motivation. But the second murder made everything seem suddenly methodical rather than senseless. A man and his wife killed within the same twenty-four-hour period, in the identical manner, demanded reasonable explanation. The detectives were asking why. They were looking for anything that might tell them why.
    They were hampered in that both the victims were blind. They found none of the address books they might have found in the apartment of a sighted victim, no calendar jottings, no shopping lists or notes. Whatever correspondence they found had been punched out in Braille. They collected this for translation downtown, but it told them nothing immediately. There was an old standard typewriter in the apartment; it had already been dusted for prints by the lab technicians, and neither Carella nor Meyer could see what other information might be garnered from it. They found a bank passbook for the local branch of First Federal on Yates Avenue. The Harrises had $212 in their joint account. They found a photograph album covered with dust. It had obviously not been opened in years. It contained pictures of Jimmy Harris as a boy and a young man. Most of the people in the album were black. Even the pictures of Jimmy in uniform were mostly posed with black soldiers. Toward the end of the album was an eight-by-ten glossy photograph.
    There were five men in the obviously posed picture. Two of them were white, three of them black. The picture had been taken in front of a tentlike structure with a wooden-frame lower half and a screened upper half. All of the men were smiling. One of them, crouching in the first row, had his hand on a crudely lettered

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