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glittering pedestrian boulevards lined with Baroque and Gothic architecture and exclusive shops. Men still wore loden-cloth suits and feathered Tyrolean caps; women still found it fashionable to wear a dirndl. Brahms had said he stayed in Vienna because he preferred to work in a village. It was still a village, thought Gabriel, with a village’s contempt for change and a village’s resentment of outsiders. For Gabriel, Vienna would always be a city of ghosts.
    They came to the Ringstrasse, the broad boulevard encircling the city center. The handsome face of Peter Metzler, the candidate for chancellor from the far-right Austrian National Party, grinned at Gabriel from the passing lamp posts. It was election season, and the avenue was hung with hundreds of campaign posters. Metzler’s well-funded campaign had clearly spared no expense. His face was everywhere, his gaze unavoidable. So was his campaign slogan: E INE N EUE O RDNUNG F ÜR E IN N EUES Ö STERREICH !: A N EW O RDER FOR A N EW A USTRIA ! The Austrians, thought Gabriel, were incapable of subtlety.
    Gabriel left the taxi near the state opera house and walked a short distance to a narrow street called the Weihburggasse. It appeared no one was following him, though from experience he knew expert watchers were almost impossible to detect. He entered a small hotel. The concierge, upon seeing his Israeli passport, adopted a posture of bereavement and murmured a few sympathetic words about “the terrible bombing in the Jewish Quarter.” Gabriel, playing the role of Gideon Argov, spent a few minutes chatting with the concierge in German before climbing the stairs to his room on the second floor. It had wood floors the color of honey and French doors overlooking a darkened interior courtyard. Gabriel drew the curtains and left the bag on the bed in plain sight. Before leaving, he placed a telltale in the doorjamb that would signal whether the room had been entered in his absence.
    He returned to the lobby. The concierge smiled as if they had not seen each other in five years instead of five minutes. Outside it had begun to snow. He walked the darkened streets of the Innere Stadt, checking his tail for surveillance. He paused at shop windows to glance over his shoulder, ducked into a public telephone and pretended to place a call while scanning his surroundings. At a newsstand he bought a copy of Die Presse, then, a hundred meters farther on, dropped it into a rubbish bin. Finally, convinced he was not being followed, he entered the Stephansplatz U-Bahn station.
    He had no need to consult the brightly lit maps of the Vienna transport system, for he knew it from memory. He purchased a ticket from a vending machine, then passed through the turnstile and headed down to the platform. He boarded a carriage and memorized the faces around him. Five stops later, at the Westbahnhof, he transferred to a northbound train on the U6 line. Vienna General Hospital had its own station stop. An escalator bore him slowly upward to a snowy quadrangle, a few paces from the main entrance at Währinger Gürtel 18-20.
    A hospital had occupied this plot of ground in west Vienna for more than three hundred years. In 1693, Emperor Leopold I, concerned by the plight of the city’s destitute, had ordered the construction of the Home for the Poor and Invalid. A century later, Emperor Joseph II renamed the facility the General Hospital for the Sick. The old building remained, a few streets over on the Alserstrasse, but around it had risen a modern university hospital complex spread over several city blocks. Gabriel knew it well.
    A man from the embassy was sheltering in the portico, beneath an inscription that read: S ALUTI ET S OLATIO A EGRORUM : T O H EAL AND C OMFORT THE S ICK . He was a small, nervous-looking diplomat called Zvi. He shook Gabriel’s hand and, after briefly examining his passport and business card, expressed his sorrow over the death of his two colleagues.
    They stepped into the