June sometimes bring with them, holding back, as it were, all living processes of life, in sweet and lingering suspense. The steel tracks of the railway-line glittered in the sun. In the fields, that sloped away beyond them, the browsing cattle wore that unruffled air of abysmal indifference, which seems to make one day in their sight to be as a thousand years. To these placid earth-children, drawing the centuries together in solemn continuity, the tribes of men and their turbulent drama were but as vapours that came and went. The high elms in the hedges had already assumed that dark monotonous foliage which gives to their patient stillness on such a day an atmosphere of monumental expectancy. A flock of newly-sheared sheep, clean and shining in the hot sun, drifted in crowded procession down the narrow road, leaving a cloud of white dust behind them that remained stationary in the air long after they had passed. In the open stone-yard close to the road the brothers Andersen were working together, chipping and hammering with bare arms at an enormous Leonianslab, carving its edges into delicate mouldings. The younger of the two wore no hat, and his closely clipped fair curls and loose shirt open at the throat, lent him, as he moved about his work with easy gestures, a grace and charm well adapted to that auspicious hour.
A more sombre form by his brother’s side, his broad brimmed hat low down over his forehead, the elder Andersen went on with his carving, in imperturbable morose absorption.
Watching them with languid interest, their arms linked together, stood the figures of two girls. The yellow dust from the sandstone rose intermittently into the air, mingling with the white dust from the road and settling, as it sank earthward, upon the leaves of the yet unbudded knapweed and scabious which grew in the thin dusty grass.
Between Gladys and her cousin—for the girls had wandered as far as this in search of distraction after their lazy tea on the great lawn—a curious contrast was now displayed.
Gladys, with slow provocative interest, was intent on every movement of Luke’s graceful figure. Lacrima’s attention wandered wistfully away, to the cattle and the orchards, and then to the sheep, which now were being penned in a low line of spacious railway trucks.
Luke himself was by no means unaware of the condescending interest of his master’s daughter. He paused in his work once or twice. He turned up his shirt-sleeves still higher. He bent down, to blow away the dust from the moulding he had made. Something very like a flash of amorous admirationpassed across his blue eyes as he permitted them slyly to wander from Gladys’ head to her waist, and from her waist to her shoes. She certainly was an alluring figure as she stood there in her thin white dress. The hand which pulled her skirt away from the dust showed as soft and warm as if it were pleading for a caress, and the rounded contours of her bosom looked as if they had ripened with the early peaches, under the walls of her stately garden. She presently unlinked her arm from her companion’s, and sliding it softly round Lacrima’s side drew the girl close against her. As she did this she permitted a slow amorous glance of deliberate tantalization to play upon the young carver. How well Luke Andersen knew that especial device of maidens when they are together—that way they have of making their playful, innocent caresses such a teasing incentive! And Luke knew well how to answer all this. Nothing could have surpassed in subtle diplomacy the manner in which he responded, without responding, to the amorous girl’s overtures. He let her realize that he himself understood precisely the limits of the situation; that she was perfectly at liberty to enter a mock-flirtation with him, without the remotest risk of any “faux pas” on his part spoiling the delicacy of their relations.
What was indeed obvious to her, without the necessity of any such unspoken
Sean Platt and Johnny B. Truant