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your oyster.” She avoids Ponytail’s eyes. “Remember that.”
    Winston School is hard to forget, and even if you could forget it, no one else will let you. But the Student Council part is a memory I was just as happy living without. And oysters, which Ihave only ever eaten with Billy at restaurants he finds and drives me to and orders for me and I slurp down with a smile on my face, are pure slime.
    I close my eyes and wait until their voices recede into the whirring and annoying background.
    I close my eyes and keep them shut until they go away.
    And then, even before I look up, even with the hospital banging and the disembodied voices in the corridor, the humming and clicking of the equipment I’m tethered to, I can hear John breathing. He is standing there staring at me, braced against the green wall, with tears running down his face and disappearing into the tiny dark houndstooth of his shirt.
    Vivian hisses, “John-o, get a grip. Shhhhhh! You’re scaring her.”
    But he is completely silent, stoned and still, and you can tell that Vivian is who he’s scaring the shit out of. Because a catatonic drunk staring straight up from a reclining leather chair is a lot easier to deal with than a sloppy, barely standing one with watering cans for eyes.
    Not to mention, a mother who is pissed off that you did what you did but is determined to remain unnaturally normal is a lot easier to deal with than a father who acts like your screwed-up life is his own personal Greek tragedy.
    I close my eyes and I go back to watching Gabriella Gardiner Presents Scenes from Teen Life in the Three B’s . Back to watching thescene with Billy and me throwing darts from his bed to the wall. Feeling his phantom fingers touch my cheek back when it didn’t hurt to touch my face, back when my face didn’t have scabs and ridges where the stitches used to be.
    But not for long.

X
     
    BECAUSE: THE MINUTE THE BUTTERFLY BANDAGES are off and my face is semi-unveiled, Vivian is even more obsessed with making me look semi-normal.
    She pulls out the bags of camouflage supplies and we gaze at all that product.
    “My poor little prizefighter,” she says, sitting on the side of my bed with a crate of tiny little sea sponges, a species I am probably personally responsible for pushing over the brink of extinction by my inordinate use of its posthumous services. She pulls out a jar of sewer-scented Brazilian cover-up with the consistency of mud. Not the makeup version of pouffy masque-mud either—actual mud.
    “Look at this,” she says, swirling a sponge in the monochromatic glop. “This is such a nice color.”
    “For that semi-alive look,” I say.
    Vivian frowns with the lower half of her face, careful not tocrease the skin around the eyes. Apparently I was unconscious long enough for her to develop a meaningful relationship with the makeup genius at the Lancôme counter at Neiman Marcus. His idea of how to reduce the appearance of swelling involves brushing three shades of blush onto my cheeks, and then, given the inevitable failure of this clever technique to turn a battered pumpkin into Heidi Klum, distracting people with more eye makeup than they’ve ever seen on one person.
    Vivian tries to get me to let her apply eye liner, but it feels as if she is slicing off my eyelid with a meat cleaver.
    “It kills me to see you like this,” she says, mostly to herself. “It kills me to be doing this. You were so beautiful. You were. But you have to stay positive. I’m really making inroads here.”
    “Can Lisa and Anita maybe come over?” I say. “Now that this is getting covered up?” In a burst of baseless positivity, I am vaguely optimistic about how I’m going to look smeared with beige mud and all that multicolored blush.
    But Vivian is so busy trying to figure out the finer points of making purple, green, and yellow skin look normal that she’s not exactly taking in what I’m saying.
    “Don’t worry,” she says, surveying the