Vintage Murder
to tell you that to-day is her birthday.” He held up his hand. “This is her first visit to Middleton; I feel we cannot do better than wish her many happy returns. Thank you all very much.”
    Another storm of hail, a deep curtsy from Carolyn. Hambledon glanced up into the O.P. corner, and the curtain came down.
    “And God forbid that I should ever come back,” muttered little Ackroyd disagreeably.
    Susan Max, who was next to him, ruffled like an indignant hen.
    “You’d rather have the provinces, I suppose, Mr. Ackroyd,” she said briskly.
    Old Brandon Vernon chuckled deeply. Ackroyd raised his comic eyebrows and inclined his head several times. “Ho-ho. Ho-ho!” he sneered. “We’re all touchy and upstage about our native land, are we!”
    Susan plodded off to her dressing-room. In the passage she ran into Hailey Hambledon.
    “Thank you, dear,” said Susan. “I didn’t expect it, but it meant a lot.”
    “That’s all right, Susie,” said Hambledon. “Go and make yourself lovely for the party.”
    Carolyn’s birthday was to be celebrated. Out on the stage the hands put up a trestle-table and covered it with a white cloth. Flowers were massed down the centre. Glasses, plates, and quantities of food were arrayed on. lines that followed some impossible standard set by a Hollywood super-spectacle, tempered by the facilities offered by the Middleton Hotel, which had undertaken the catering. Mr. Meyer had spent a good deal of thought and more money on this party. It was, he said, to be a party suitable to his wife’s position as the foremost English comedienne, and it had been planned with one eye on the Press and half the other on the box-office. The
pièce de résistance
was to be in the nature of a surprise for Carolyn and the guests, though, one by one, he had taken the members of his company into his confidence. He had brought from England a Jeroboam of champagne — a fabulous, a monstrous bottle of a famous vintage. All the afternoon, Ted Gascoigne and the stage-hands had laboured under Mr. Meyer’s guidance and with excited suggestions from George Mason. The giant bottle was suspended in the flies with a counterweight across a pulley. A crimson cord from the counterweight came down to the stage and was anchored to the table. At the climax of her party, Carolyn was to cut this cord. The counterweight would then rise and the jeroboam slowly descend into a nest of maidenhair fern and exotic flowers, that was to be held, by Mr. Meyer himself, in the centre of the table. He had made them rehearse it twelve times that afternoon and was in a fever of excitement that the performance should go without a hitch. Now he kept darting on to the stage and gazing anxiously up into the flies, where the jeroboam hung, invisible, awaiting its big entrance. The shaded lamps used on the stage were switched on. With the heavy curtain for the fourth wall, the carpet and the hangings on the set, it was intimate and pleasant.
    A little group of guests came in from the stage-door. A large vermilion-faced, pleasant-looking man, who was a station-holder twenty miles out in the country. His wife, broad, a little weather-beaten, well dressed, but not very smart. Their daughter, who was extremely smart, and their son, an early print of his father. They had called on Carolyn, who had instantly asked them to her party, forgotten she had done so, and neglected to warn anybody of their arrival. Gascoigne, who received them, looked nonplussed for a moment, and then, knowing his Carolyn, guessed what had happened. They were followed by Gordon Palmer, registering familiarity with back-stage, and his cousin, Geoffrey Weston.
    “Hullo, George,” said Gordon. “Perfectly marvellous. Great fun. Carolyn was too thrilling, wasn’t she? I must see her. Where is she?”
    “Miss Dacres is changing,” said Ted Gascoigne, who had dealt with generations of Gordon Palmers.
    “But I simply can’t wait another
second
,” protested Gordon in a

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