hotel and look-to-see around, but I knew Fritz and Theodore would murder me if I didn’t bring him back in one piece, so instead I left by the side entrance and followed the path to Pocahontas Pavilion.
Pocahontas was much more ambitious than Upshur, with four good-sized public rooms centrally on the ground floor, and suites in the wings and the upper story. I heard noisesbefore I got inside, and, entering, found that the masters were having a good time. I had met the whole gang at lunch, which had been cooked at the pavilion and served there, with five different ones contributing a dish, and I admit it hadn’t been hard to get down—which, since Fritz Brenner’s cooking under Nero Wolfe’s supervision had been my steady diet for ten years, would be a tribute for anyone.
I let a greenjacket open the door for me and trusted my hat to another one in the hall, and began the search for my lost hummingbird. In the parlor on the right, which had dark wooden things with colored rugs and stuff around everywhere—Pocahontas was all Indian as to furnishings—three couples were dancing to a radio. A medium brunette about my age, medium also as to size, with a high white brow and long sleepy eyes, was fastened onto Sergei Vallenko, a blond Russian ox around fifty with a scar under one ear. She was Dina Laszio, daughter of Domenico Rossi, onetime wife of Marko Vukcic, and stolen from him, according to Jerome Berin, by Phillip Laszio. A short middle-aged woman built like a duck, with little black eyes and fuzz on her upper lip, was Marie Mondor, and the pop-eyed chap with a round face, maybe her age and as plump as her, was her husband, Pierre Mondor. She couldn’t speak English, and I saw no reason why she should. The third couple consisted of Ramsey Keith, a little sawed-off Scotchman at least sixty with a face like a sunset preserved in alcohol, and a short and slender black-eyed affair who might have been anything under 35 to my limited experience, because she was Chinese. To my surprise, when I had met her at lunch, she had looked dainty and mysterious, just like the geisha propaganda pictures. I believe geishas are Japs, but it’s all the same. Anyway, she was Lio Coyne, the fourth wife of Lawrence Coyne; and hurrah for Lawrence, since he was all of three score and ten and as white as a snowbank.
I tried the parlor on the left, a smaller one. The pickings there were scanty. Lawrence Coyne was on a divan at the far end, fast asleep, and Leon Blanc, dear old Leon, was standing in front of a mirror, apparently trying to decide if he needed a shave. I ambled on through to the dining room. It was big and somewhat cluttered. Besides the long table and a slew of chairs, there were two serving tables and a cabinet full of paraphernalia, and a couple of huge screens with pictures of Pocahontas saving John Smith’s life and otherthings. There were four doors: the one I had come in by, a double one to the large parlor, a double glass one to a side terrace, and one out to the pantry and the kitchen.
There were also, as I entered, people. Marko Vukcic was on a chair by the long table, with a cigar in his mouth, shaking his head at a telegram he was reading. Jerome Berin was standing with a wineglass in his hand, talking with a dignified old bird with a gray mustache and a wrinkled face—that being Louis Servan, dean of the fifteen masters and their host at Kanawha Spa. Nero Wolfe was on a chair too small for him over by the glass door to the terrace, which stood open, leaning back uncomfortably so that his half-open eyes could take in the face of the man standing looking down at him. It was Phillip Laszio—chunky, not much gray in his hair, with clever eyes and a smooth skin and slick all over. Alongside Wolfe’s chair was a little stand with a glass and a couple of beer bottles, and at his other elbow, almost sitting on his knee, with a plate of something in her hand, was Lisette Putti. Lisette was as cute as they come, and had