a hundred yards apart and connected by a couple of paths through trees and shrubs, had been turned over to the fifteen masters-or rather, ten-and our Suite 60, Wolfe's and mine, was in Upshur.
I strolled along carefree. There was lots of junk to look at if you happened to be interested in it-big clusters of pink flowers everywhere on bushes which Odell had said was mountain laurel, and a brook zipping along with little bridges across it here and there, and some kind of wild trees in bloom, and birds and evergreens and so on. That sort of stuff is all right, I've got nothing against it, and of course out in the country like that something might as well be growing or what would you do with all the space, but I must admit it's a poor place to look for excitement. Compare it, for instance, with Times Square or the Yankee Stadium.
Closer to the center of things, in the section where the pavilions were, and especially around the main building and the springs, there was more life. Plenty of folks, such as they were, coming and going in cars or on horseback and sometimes even walking. Most of those walking were Negroes in the Kanawha Spa uniform, black breeches and bright green jackets with big black buttons. Off on a side path you might catch one of them grinning, but out in the open they looked as if they were nearly overcome by something they couldn't tell you, like bank tellers.
It was a little after five when I got to the entrance of Upshur Pavilion and went in. Suite 60 was in the rear of the right wing. I opened its door with care and tiptoed across the hall so as not to wake the baby, but opening another door with even more care I found that Wolfe's room was empty. The three windows I had left partly open were closed, the hollow in the center of the bed left no doubt as to who had been on it, and the blanket I had spread over him was hanging at the foot. I glanced in the hall again; his hat was gone. I went to the bathroom and turned on the faucet and began soaping my hands. I was good and sore. For ten years I had been accustomed to being as sure of finding Nero Wolfe where I had left him as if he had been the Statue of Liberty, unless his house had burned down, and it was upsetting, not to mention humiliating, to find him flitting around like a hummingbird for a chance to lick the boots of a dago sausage cook.
After splashing around a little and changing my shirt, I was tempted to wander over to the hotel and look-to-see around, but I knew Fritz and Theodore would murder me if I didn't bring him back in one piece, so instead I left by the side entrance and followed the path to Pocahontas Pavilion.
Pocahontas was much more ambitious than Upshur, with four good-sized public rooms centrally on the ground floor, and suites in the wings and the upper story. I heard noises before I got inside, and, entering, found that the masters were having a good time. I had met the whole gang at lunch, which had been cooked at the pavilion and served there, with five different ones contributing a dish, and I admit it hadn't been hard to get down-which, since Fritz Brenner's cooking under Nero Wolfe's supervision had been my steady diet for ten years, would be a tribute for anyone.
I let a greenjacket open the door for me and trusted my hat to another one in the hall, and began the search for my lost hummingbird. In the parlor on the right, which had dark wooden things with colored rugs and stuff around everywhere-Pocahontas was all Indian as to furnishings-three couples were dancing to a radio. A medium brunette about my age, medium also as to size, with a high white brow and long sleepy eyes, was fastened onto Sergei Vallenko, a blond Russian ox around fifty with a scar under one ear. She was Dina Laszio, daughter of Domenico Rossi, onetime wife of Marko Vukcic, and stolen from him, according to Jerome Berin, by Phillip Laszio. A short middle-aged woman built like a duck, with little black eyes and fuzz on her upper lip, was Marie