clown nose and fright wig.â
I canât help chuckling. I glance at him. âYou should see the people I work with.â
âStiff?â
âEmbalmed.â
âIâm sorry to hear that.â
âItâs not all bad.â I apply myself once more to the carpet, which is almost clean. âIn fact I love it most days. Iâm an English professor. But academics arenât the most easygoing crowd.â
âSo I hear.â George sits back and settles his arms loosely around his knees as he watches me. His eyes are a bright brown and wonderfully still. Itâs perhaps the most open gaze Iâve ever seen on an adult: taking in every detail, interrogating the world thoughtfully and without cynicism.
Above and around us the reception buzzes. A waiter sidesteps George with a worried cluck. George doesnât budge.
Unsure how to respond to his silence, I gesture at the crowd. âAt least these folks arenât all flagrant egotists. Some of them ask a question with the intent to actually listen to the answer.â
He considers this.
I work a piece of tabouli out of the rug with my fingernails. Almost without meaning to, I continue: âIâve always thought you can diagnose a workplace the minute people open their mouths.â
âHow?â he says.
Resting on his forearms, his hands are wide and strong-looking. Knobby in the right places. What hands ought to look like. Along the back of one is a faint scar.
A red-business-suited woman utters an irritable âOh!â as she nearly walks into George. He gives her a genial salute, then turns his focus back to me.
âJust listen for the verbal tics.â I pick several flakes of pastry off the carpet, delay meeting his gaze. He waits, attentive. My eyes drop to my blouse, which is splashed with tabouli and dressing. Rising, I indicate the kitchenette at the rear of the reception hall. Without a word he stands and follows me.
âVerbal tics,â he says.
At the sink, I wet a paper towel and attend to the dark fabric of my blouse. He settles opposite me, one hip against the counter. I give my blouse more attention than it requires. When I speak itâswith a sense of unplanned acceleration: an uncontrolled surge like a car shifting into higher gear than expected. âDid you ever notice,â I say, âthe people who start every sentence with
No
âeven when theyâre agreeing with you? You say, âSeems like the Yankees are having a bad streak,â and they say, âNo, itâs just that they canât get together a game strategy.ââ I wipe my fingers on the damp towel. âWhich Iâve always thought tells you youâre dealing with a critical person. Somebody whoâs going to be unhappy with himself andâby extensionâwith you.â
Heâs silent for a moment. âInteresting,â he says. âIâve met a few of those.â
I wet and wring a fresh set of paper towels, for the carpet. âWeâve got a heaping serving of them in my department. Which makes for a hard-driven lot.â
âWho else have you got,â he says, âin that department of yours?â As he speaks he extends his hand.
I stare at it, my own hand poised indecisively; did he read my mind earlier? Then, understanding, I quickly hand him what heâs asking for: a damp paper towel. I say, âThe Look-Listeners.â
He folds the paper towel.
âYou know, the ones who start every statement with a directive. âLook, the Yankees arenât always strong at the seasonâs start. Listen, they just need a better coach.â These are the people who consider themselves weary bearers of unpopular truths.â Iâm not sure what Iâm doing. Daring him, perhaps, to lose interest? âCassandras . . .â I glance. Heâs listening. â. . . who speak their consciences though they expect to be ignored. Theyâre