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to reach me. You have my card.” Lightner extended his hand. “Good-bye.”
    “Wait. The daughter, what became of her? The intern out west?”
    “Why, she’s a surgeon, now,” Lightner said, glancing at his watch. “Neurosurgeon, I believe. Just passed her examinations. Board-certified, is that what they call it? But then I don’t know her either, you see. I only hear about her now and then. Our paths did cross once.” He broke off, then gave a quick almost formal smile. “Good-bye, Doctor, and thank you again.”
    The doctor sat there, thinking, for a long time. He did feel better, infinitely better. There was no denying it. He had no regret that he had told the tale. In fact, the entire encounter seemed a gift to him, something sent by fate to lift from his shoulders the worst burden he’d ever borne. Lightner knew and understood the whole case. Lightner knew the daughter in California.
    Lightner would tell that young neurosurgeon what she ought to know, that is, if he hadn’t done it already. Yes, the burden was lifted. The burden was gone. Whether it weighed upon Lightner didn’t matter.
    Then the most curious afterthought came to the doctor, something which hadn’t occurred to him for years. He’d never been in that big Garden District house during a rainstorm. Why, how lovely it would have been to see rain through those long windows, to hear rain on those porch roofs. Too bad about that, missing such a thing. He’d thought about it often at the time, but he always missed the rain. And rain in New Orleans was so beautiful.
    Well, he was letting go of it all, was he not? Again, he found himself responding to Lightner’s assurances as if they had been words spoken in the confessional, words with some religious authority. Yes, let it all go.
    He signaled the waitress. He was hungry. He would like a breakfast now that he could eat. And without thinking much about it, he took Lightner’s card out of his pocket, glanced at the phone numbers—the numbers he might call if he had questions, the numbers he never intended to call—and then he tore the card into little pieces and put them in the ashtray, and then he set them afire with a match.

Two
    N INE P.M. THE room was dark, save for the bluish light of the television. Miss Havisham, was it not, a wraith in a wedding dress from his beloved
Great Expectations.
    Through the clear, unadorned windows he could see the lights of downtown San Francisco when he chose to look—a constellation burning through the thin fog, and just below, the peaked roofs of the smaller Queen Anne houses across Liberty Street. How he loved Liberty Street. His house was the tallest on the block, a mansion once perhaps, now only a beautiful house, rising majestically among humbler cottages, above the noise and the bustle of the Castro.
    He had “restored” this house. He knew every nail, every beam, every cornice. Shirtless in the sun, he had laid the tiles of the roof. He had even poured the concrete of the sidewalk.
    Now he felt safe in his house, and safe nowhere else. And for four weeks he had not been out of this room, except to enter the small adjacent bathroom.
    Hour by hour, he lay in bed, hands hot inside the black leather gloves which he could not and would not take off, staring at the ghostly black-and-white television screen in front of him. He was letting the television shape his dreams through the various videotapes he loved, the videotapes of the movies he’d watched years ago with his mother. They were “the house movies” to him now, because all of them had not only wonderful stories and wonderful people who had become his heroes and heroines, but wonderful houses.
Rebecca
had Manderley.
Great Expectations
had Miss Havisham’s ruined mansion.
Gaslight
had the lovely London town house on the square.
The Red Shoes
had the mansion by the sea where the lovely dancer went to hear the news that she would soon be the company’s prima ballerina.
    Yes, the house movies,