paint ⦠itâs not just faded and chipped like the other doors along the corridor, itâs also blistered and blackened on the bottom half.
With a shiver, I push the battered door open and reluctantly step inside â and find myself in a room flooded with light. Itâs because of the pair of windows directly in front of me. Theyâre not huge, but theyâre big enough to let sunbeams spill across the bed, chest of drawers and piles of boxes I last saw when I packed up my room back in London, back home. Itâs not till I walk over to the windows, till Iâve looked out at the view of the driveway, the swaying trees, the glimpse of buildings in the village beyond that I realize where I am.
Iâm here. In the room with eyes. Ha! It looked so eerie from afar, and yet close up ⦠itâs so different.
I flip around and lean against the slim piece of wall between both windows and survey my new room. And a glimmer of hope fills my heart like a weak shaft of sunlight peeking through a skyful of lurking grey clouds.
You know, so far Iâve been
beyond
unimpressed by the echoing, elderly building site that Wilderwood is. But if I block that from my mind, I think I might come to like this one small part of it. My room at our old flat was at the front of our block, and overlooked by offices on the other side of the road. It was always in shadow. Not like this place, where I can see dust motes twirling gently in the air, air light with brightness streaming in from outside.
And the quiet ⦠! Thereâs no roar of cars and vans, no bleeping of horns and meeping of reversing lorries. Thereâs no sound at all. Apart from a sort of low-level buzzing, or humming, thatâs gently vibrating somewhere.
Has Mr Fraser already begun drilling something downstairs? I twist around and put my ear right against the wall.
And pull it away almost immediately.
Itâs voices. Voices whispering, whispering in the wallsâ¦
Itâs a miracle. I
can
get a signal in my room. Well, bizarrely, after moving around â including a stint standing (shaking) on my bed with my mobile held above my head â Iâve found the best place to get any bars is sitting hunched down on the floor by the door.
And miracle number two: Shaniya has forgiven me enough to talk to me.
âWhat did the voices say?â asks Shaniya. âWE ARE COMING FOR YOU, MWAH HA HA!â
Shaniya is always making jokes. I guess thatâs what makes our friendship work â sheâs loud and fierce and funny, and Iâm ⦠not. People say opposites attract, donât they? Though sometimes we donât get along. In Shaniyaâs case, when I have one of my sense-of-humour failures. Or do stuff like not invite her to my mumâs star-studded wedding.
âNo,â I reply, tucking my baggy jumper over my knees and turning myself into a woolly package. âI couldnât make out actual words. It was more like ⦠like I was hearing some conversation in another room.â
Iâd only heard the whisperings for a few seconds, but Iâd been so freaked out by them Iâd wanted to run downstairs and beg Mum to drive us back to our flat in London straight away. But that wasnât going to work, not when Mum had already given up the lease on our old place and handed in the keys. And even if it
was
possible, I couldnât physically ask her anyway; not when â as I could see out of the window â she was with Mr Fraser, excitedly pointing at bits of broken-down building, with Cam trailing uselessly behind them.
So my second-best option was to swallow my pride and call my best friend.
âWell, thatâs probably all it was, then! Gawd, you can be so dramatic sometimes, Ellis!â Shaniya laughs.
âIâm not trying to be dramatic,â I protest, feeling ripples of anxiety lap at my chest. âItâs just that Wilderwood is really â¦
strange
. I