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her hands lay placidly folded.
    And now the horses, nearing their stables, would redouble their efforts as they swung through the gates, the tall, iron gates of the parklands of Morton, faithful gates that had always meant home. Old trees would fly past, then the paddocks with their cattle—Worcestershire cattle with uncanny white faces; then the two quiet lakes where the swans reared their cygnets; then the lawns, and at last the wide curve in the drive, near the house, that would lead to the massive entrance.
    The child was too young to know why the beauty of Morton would bring a lump to her throat when seen thus in the gold haze of late afternoon, with its thoughts of evening upon it. She would want to cry out in a kind of protest that was very near tears: ‘Stop it—stop it, you’re hurting!’ But instead she would blink hard and shut her lips tightly, unhappy yet happy. It was a queer feeling; it was too big for Stephen, who was still rather little when it came to affairs of the spirit. For the spirit of Morton would be part of her then, and would always remain somewhere deep down within her, aloof and untouched by the years that must follow, by the stress and the ugliness of life. In those after-years certain scents would evoke it—the scent of damp rushes growing by water; the kind, slightly milky odour of cattle; the smell of dried rose-leaves and orris-root and violets, that together with a vague suggestion of beeswax always hung about Anna’s rooms. Then that part of Stephen that she still shared with Morton would know what it was to feel terribly lonely, like a soul that wakes up to find itself wandering, unwanted, between the spheres.
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    Anna and Stephen would take off their coats, and go to the study in search of Sir Philip who would usually be there waiting.
    ‘Hallo, Stephen!’ he would say in his pleasant, deep voice, but his eyes would be resting on Anna.
    Stephen’s eyes invariably followed her father’s, so that she too would stand looking at Anna, and sometimes she must catch her breath in surprise at the fullness of that calm beauty. She never got used to her mother’s beauty, it always surprised her each time she saw it; it was one of those queerly unbearable things, like the fragrance of meadow-sweet under the hedges.
    Anna might say: ‘What’s the matter, Stephen? For goodness’ sake darling, do stop staring!’ And Stephen would feel hot with shame and confusion because Anna had caught her staring.
    Sir Philip usually came to her rescue: ‘Stephen, here’s that new picture-book about hunting’; or, ‘I know of a really nice print of young Nelson; if you’re good I’ll order it for you tomorrow’.
    But after a little he and Anna must get talking, amusing themselves irrespective of Stephen, inventing absurd little games, like two children, which games did not always include the real child. Stephen would sit there silently watching, but her heart would be a prey to the strangest emotions—emotions that seven-years-old could not cope with, and for which it could find no adequate names. All she would know was that seeing her parents together in this mood, would fill her with longings for something that she wanted yet could not define—a something that would make her as happy as they were. And this something would always be mixed up with Morton, with grave, stately rooms like her father’s study, with wide views from windows that let in much sunshine, and the scents of a spacious garden. Her mind would go groping about for a reason, and would find no reason—unless it were Collins—but Collins would refuse to fit into these pictures; even love must admit that she did not belong there any more than the brushes and buckets and slop-cloths belonged in that dignified study.
    Presently Stephen must go off to her tea, leaving the two grown-up children together; secretly divining that neither of them would miss her—not even her father.
    Arrived in the nursery she would probably be