The Way the World Works: Essays

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Book: Read The Way the World Works: Essays for Free Online
Authors: Nicholson Baker
wife and said, “Dear one?” She made a questioning noise from deep in her sleep. I said, “I’m sorry to wake you but I’m having some kind of unusual panic attack.” She said, “I’m so sorry, baby.” I said, “It’s really bad, I’m scared about everything, I’m even scared to turn on the light.” She said, “I’ll hold you. Everything is good. Go back to sleep now.” She held me and I turned a different way in the bed and the fear dissolved and I went back to sleep. I woke up feeling fine.
    One summer I dropped a bowl of hot fudge that I’d warmed up in a microwave onto the kitchen floor of a Howard Johnson’s and burned myself.
    One summer my friend and I dug in his back yard using a hose to blast holes deep in the dirt. We made a series of small ponds and bogs. My friend’s mother was unhappy with us because the water bill was very high.
    One summer my family and I ate dinner at a restaurant that had a machine that made saltwater taffy. The machine had two double-forked prongs that folded and stretched the taffy ball onto itself until there were unimaginable numbers of layers. When the taffy had been stretched and folded enough times a man rolled it into a loaf and mounted it in a machine that cut it and wrapped the cut pieces with waxed-paper wrappers. The device that twisted the wrapper ends movedtoo fast for the eye to see. The taffy man looked at us without acknowledging us or smiling. He had no privacy—he was like a zoo creature. He had a small mustache.
    One summer we moved from Boston, Massachusetts, to New York State. I was driving the old brown car and my wife was driving the new red car down Routes 5 and 20. There was a big hot blue sky and enormous trees. I rolled my window all the way down. Immediately the wind sucked a map of New York State off my dashboard. In my rearview mirror I saw the pale creased shape float on air for a moment, as if deciding what to do. Then it plastered itself to my wife’s windshield, where she pulled it inside. She waved.
    One summer when I was fourteen I took care of an orange cat at a house owned by two minimalist painters. All their walls were flat white, and they had many of their paintings up—long, narrow paintings, with silver metallic paint sprayed in from the ends, dripping subtly. The lonely cat roamed this minimalist house, meowing. I read issues of Artforum neatly stacked on their coffee table. There was an article about an artist who created an empty room with a sloping wooden floor. The artist, whose name was Vito Acconci, “pleasured himself” under the sloping floor, while visitors walked around the room overhead. I fed the cat, pleasured myself, and rode my bike home.
    One summer I wrote “Truth wears sunglasses” in my notebook.
    (2005)

Reading
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Thorin Son of Thráin
    I learned how to read, in the sense of knowing how to follow a story with pleasure as it accumulates over many chapters, by being read to. My mother read us (my sister and me) the things she had liked as a child, with several additions—she took us through The Hobbit, Mistress Masham’s Repose, Tove Jansson’s Moominland books, Lear’s “The Pelican Chorus,” The Wind in the Willows, Winnie-the-Pooh, the Dr. Dolittle series, some Kipling, several Tintin books, and Hawthorne’s Wonder-Book. She was an expert at the seamless substitution of a comprehensible phrase for the more involuted elegancies of Hawthornian diction, a fact I discovered only after I knew how to read by eye and could compare her version with the text. Her shoulder had a bone in it that was comfortable against my temple; I was under the impression that I was hearing some of each book through that shoulder-bone. And I was interested in how entertained she was by certain scenes: how much she liked, for example, the image of Toad sitting entranced by the side of the road near his overturned canary-yellow traveling wagon, murmuring “Poop-poop!” at the dwindling sight of the motorcar that had

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