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extra length of the panels of her skirt into her hand.
    He steadied her as they reached the floor and instead of turning her to face him, he shifted to come around to the front of her. “The Knave of Diamonds,” he said, lifting her right hand in his gloved one and settling his other one lightly on her waist.
    Although the country dances often required a touch at the hip or waist, and arms linking with arms, the position of the waltz was so different, so intimate, because it wasn’t a passing position. And as she rested her gloved fingers on his shoulder, felt his fingers close around hers, and the burning weight of his hand at her waist, Maia felt warm, and a little dizzy.
    He hesitated a moment before stepping into the dance, and she allowed him to direct her as they moved forward. The first few steps were stilted, as if he had to discover or learn the rhythm, and even then, they didn’t spin and whirl with the same smooth alacrity as some of the other dancers. For some reason, she liked the fact that he wasn’t so very practiced at the waltz.
    Nevertheless, Maia felt as if she floated on a cloud, held steady by the firm grip on her hand and waist. Even with the tall shoes and the unfamiliar three-beat step, she hardly stumbled at all.
    She glanced up at him to find her partner looking outover her shoulder, as if scanning the room. This gave her the chance to examine what little of his countenance was exposed by the mask; namely, the shape of his chin and the formation of his mouth. Even his ears and hair were covered by a black tricorn, and the collar of his cloak came up to shadow his neck and the edge of his jaw.
    â€œHatshepsut, I presume,” he said, glancing down at her as they began their second turn about the floor, still relatively slowly and carefully. “An exceedingly original choice of costume, despite the fact that she dressed as a man on many occasions.” His voice was low, hardly more than discernible to her over the sounds of conversation and music.
    â€œBaring my lower appendages would not have been appropriate, even in the spirit of accurate costuming. But you are correct,” she said, keeping her own tones pitched low in hopes of disguising her identity. Although her partner definitely wasn’t Alexander, she also sensed that he was someone she knew. “I am Hatshepsut. Everyone else thinks that I’m Cleopatra.”
    â€œFools, all of them. Where is the asp if you are meant to be Cleopatra?”
    His comment surprised a little laugh from her, and she saw his lips move, relaxing into fullness from their hard, serious line from a moment ago.
    â€œBut of course, no one truly knows what Hatshepsut looks like,” she admitted. “Or if she was anything more than a queen regent.”
    â€œIndeed. But we expect to learn more if the stele from Rosetta is ever translated.”
    â€œOne can only hope! Until we can read hieroglyphs, there will be holes and blank spots in our knowledge.”
    â€œI find it remarkable that you are even aware of Hatshepsut’s existence, let alone such details about her questionablereign,” he said after negotiating a particularly tight turn that made her a bit dizzy. “As well as the importance of the Rosetta Stone.”
    Emboldened by her continued anonymity…and perhaps by the champagne punch…Maia launched into a candid speech that she would never have imposed on a gentleman under different circumstances. They preferred to talk on their own topics, not that of their partners. “I’ve indulged my fascination with Egyptian history for many years now. It started when I read my brother’s copy of Biblioteca Historica in order to help him with his Greek. Ask me about the Babylonians or the Indians, and I know little about them. But if one reads Herodotus or Diodorus, for example, there is much to be learned about the Egyptians. And now that more antiquities are being shipped back from