behind me and we started up. After climbing one full revolution, I looked down and noticed Koki still standing at the bottom of the stairs. He hadn’t moved. Then I realized he couldn’t. Climbing up and out of the shiro was too much for him. He had done what he was told, but leaving the shiro was out of the question. Tomorrow he would likely forget that he had helped at all. Tomorrow he would remember nothing about the incident, including Susheela the Ninth and me, and yesterday, for Koki, was inconceivable. He was looking up through the steps of the spiral stairs, watching us. He wiped his chin once. “Good-bye, Koki,” I said. “You play a great game of chess.”
His face widened into his biggest grin and he nodded his head, however, I’m not sure he comprehended a word. “Yes, mister,” he said. “Hello.”
I glanced at Susheela the Ninth. Her smooth black skin was shining in the glow of the candles. “Let’s go,” I said, and started climbing, almost running up the spiral stairs. With every step I thought of Opari—her eyes, her lips, her voice. I decided not to stop until we got to the last step, wherever it might lead. Behind me, Susheela the Ninth kept pace easily.
After what I guessed to be five or six stories, we came to the top of the spiral. The final step led directly to a low and narrow hallway about ten feet long and lined with cedar. At the end of the hallway was a square window with louvered shutters. I pushed open the shutters and looked out. We were three stories above the courtyard, and the only way down was across and over the curved, sloping roof of the third tier, then a drop to the second tier, then the first tier and on down to the graveled courtyard. If this had been an “escape hatch” in the past, it had not been a good one. We crawled onto the tiled roof and carefully made our way to the edge. I looked up and breathed deeply. The early morning fresh air felt cool and wonderful. Below us, to the south and west, fog spread over the Urakami Valley all the way to the sea and beyond. Nagasaki was not visible.
We took turns hanging and dropping from tier to tier, and each time, I tossed Goya’s head down to Susheela the Ninth before I dropped. When we reached the courtyard, she asked, “Why do you carry this skull? What is its significance?”
“I don’t know,” I said, “I mean … I’m not sure.” It was a stupid answer, yet it was true.
As quickly and quietly as we could, we covered the distance to the gatehouse and gate, which was locked. I paused long enough to look inside the gatehouse. It was empty. Within the last five days, someone had removed the body of Shutratek. Just then something made me turn and look back at the shiro . For a split second, in an open window on the highest tier of the stone tower, I thought I saw two green eyes staring down at me, but they disappeared instantly. Susheela the Ninth was already over the gate and waiting for me on the other side. Could it have been the Fleur-du-Mal? Had he been watching us from the beginning? Was he letting us escape?
“Why do you hesitate, Z?” she asked. “We must make haste.”
“Sorry,” I said, shaking my head once and tossing Goya to her. I scrambled up and over the gate. In another minute, the shiro was out of sight and we were on our way out of the hills and down to Nagasaki.
We ran, walked, and ran some more. I had no certain destination in mind, but unconsciously I was heading toward the railway and Urakami Station. Even in the hills, we passed many people, some with nothing, some with their meager belongings piled on a wagon or cart. Whether young or old, man or woman, their faces and expressions were devoid of all feeling and life. None of them paid any attention to us. We were invisible to them. They were living and walking, yet their eyes were dead. I kept thinking of Opari to keep from thinking about Sailor and Sak. I could not imagine the kind of unspeakable mass destruction and death
Jerry B. Jenkins, Chris Fabry