fu-neral.
Please, God, just let it be a plain old ordinary murderer. Some drunk who got mad because Boonie took two swigs before passing the bottle instead of one. A Mexican Christ-mas tree worker with a grudge. I'll even take a crazy if you got one.
His palms were sweating, the way they had when he was seventeen and he'd first heard the laughter in the belfry.
The door opened onto a short, windowless foyer. A shaft of light pierced the ceiling from the belfry above.
Where the bell rope used to hang.
The bell rang in his memory, a thunderclap of angry bronze, an echo of the night Samuel died. The plank floor creaked as Littlefield crossed the foyer. Golden motes of dust spiraled in the draft. What must it have been like a century ago? The worn wood had endured a hundred thousand crossings. Trembling and red-faced virgin brides with their best dresses dragging on the pine, solemn cousins come to pay their respects to a dear departed, women in bonnets and long swirling skirts gathering for Jubi-lee. Littlefield could almost see the preacher at the steps, shaking the hands of the menfolk, bowing to the women, patting the heads of the children.
The sheriff peered up through the tiny rope hole, an opening barely large enough for a child to scram-ble through. The hollow interior of the bell was full of black shadow. But that would tell him nothing. He returned to scanning the floor for signs of blood.
The foyer opened onto the main sanctuary. The chill crawled up his spine again. He didn't know whether it was caused by childhood legends, or the chance of finding a killer hiding among the bales of hay. For a frantic moment, he almost wished he wore a firearm.
The bales were stacked to each side, forming a crooked aisle down the center of the church sanctuary. Lester had left the altar undisturbed, probably because lifting hay over the railing was too much work. The altar itself was small, the pulpit hardly more than a rectangular crate with a slanted top. A set of six wormy chestnut beams, hand-hewn, crossed the open A-frame overhead. The interior walls were unpainted chestnut as well. In the dim light, the woodwork had a rich, deep brown cast. The bales were packed too tightly against the walls to afford hiding places.
Unless somebody had removed a few bales and made a hollow space inside the stacks. He'd done that in his family's barn, when he wanted to hide out on an autumn day, or when he and his brother played hide-and-seek or army. But few hours could be stolen back then. Crops, livestock, firewood, fence mending—a long list of chores was waiting at six every morning that never got finished before dark. But back then, Littlefield had slept in dreams and not bad memories.
Nothing stirred amid the hay. The church was si-lent , as if waiting for a congregation to again fill it with life. Littlefield walked to the dais. The chill deepened even though the air was stuffy. A small wooden cross was attached to the top of the pulpit. Like the cross on the church steeple, it was missing a section of the crosspiece.
Littlefield leaned over the waist-high railing and looked into the corners of the altar. The small vestry off to the side held nothing but bare shelves and cobwebs. He didn't know what he expected to see. Maybe he was just trying to ease his own mind, to reassure himself that old rumors and long-ago strangeness were put to rest. Boonie was dead, and that had nothing to do with the red church or Sam-uel or the Hung Preacher. As he was turning to leave, he noticed a dark stain on the dais floor. It was the kind made by aspill. Maybe Lester had stored building materials in here once. At any rate, the rust-brown stain was far too old to have been made by whatever had killed Boonie.
But something about it held his attention. The shape seemed familiar. He tilted his head, as if stumped by an inkblot in a Rorschach test. When he realized where he had seen the form before, he drew in a dusty gasp of air.
The dark shape