Read The Recognitions for Free Online Page B

church, dressed in policeman suspenders and shirts so respectfully modest that they even concealed the usually prominent top button of his underwear. 
    The parsonage was a clapboard house whose interiors were done in dark paper and wainscoting. Most of the downstairs windows were darkened by outside trees. As the master unpacked, its character changed, realizing itself for the first time in sympathy with the obscurity. Watts's painting of Sir Galahad, in the hall leading to the study, was replaced by a small cross bearing a mirror in each extremity. A robin, a thrush, and a bluejay (mounted by a distant cousin who had found taxidermy the Way Out and was last seen in the Natural History Museum in Capetown, South Africa, drinking himself to death in a room full of rigid hummingbirds he had stuffed himself) gave up their niche to the defaced stone figure of a Spanish saint, Olalla. A picture of an unassuming elk skulking among empty trees was replaced by a copy of a painting by the elder Breughel; and Saint Anthony's insanity manifest in the desert was hung over the unfaded square caused and covered by a painting of Trees (done by a maiden relative long since gone to earth, and rescued now by Aunt May). 
    A large low table appeared under the window in the dining room. It was the prize of this incipient collection, priceless, although a price had been settled which Gwyon paid without question to the old Italian grandee who offered it sadly and in secret. This table top was the original (though some fainaiguing had been necessary at Italian customs, confirming it a fake to get it out of the country), a painting by Hieronymus Bosch portraying the Seven Deadly Sins in medieval (meddy-evil, the Reverend pronounced it, an unholy light in his eyes) indulgence. Under the glass which covered it, Christ stood with one maimed hand upraised, beneath him in rubrics, Cave, Cave, D' videt ... 
    —Catholic! said Aunt May, sounding anathema in her voice. She added something about Catholic, or Spanish, vanity anent the mirrors in the arms of the cross. Reverend Gwyon thought it best not to explain their purpose. 
    As for the distinctly heathen monkey, it was forced to live in the carriage barn. 
    It is the bliss of childhood that we are being warped most when we know it the least. In the medievally construed parsonage Wyatt graduated from the potty to more exalting porcelain eminence, and learned to pick his nose with his forefinger instead of his thumb. He spent more time indoors than out, and there was a chill in those dim corridors which no change of season dispelled, passages where he was often found wandering aimlessly, or simply standing still, gazing at the grooves in the wainscoting or up at the concave molding, to listen to the creaks that came from the sharp angles of woodwork, to talk to himself repeating words and phrases over and over, and then to move as though he were being watched. He could stand until interrupted by the opening of the study door behind him, and his father's garbled exclamation of surprise at finding him there staring up at the cross mounting the four small mirrors, though he never asked about it; and there was only one hall he avoided, or hurried when he had to pass through it to the dining room, even then with a quick look over his shoulder at Olalla watching, noseless, from her niche, the hand upraised, which he fully expected to strike him from behind as he passed. 
    —Al-Shira-al-jamânija . . . , he whispered. 
    —What? What is it you're saying? Aunt May demanded, rounding a corner. 
    —Al-Shira-al-jamânija . . . the bright star of Yemen . . . 
    —Where do you hear things like that? she scolded. —Yemen indeed! And she turned him toward the stairs, and sent him up to read in Foxe's Book of Martyrs , one of the books provided to prepare him for the Lord's work. From the first time he was asked, —Do you love the Lord Jesus? he was uncomfortably embarrassed; and since hate is an easier concept