died, tragically young, of ovarian cancer, Alicia – being the eldest of the two and, even at fourteen, already a nurturer – had done her best to ‘mother’ her younger sibling. George was often away lecturing or specimen-collecting; it seemed to Alicia he spent as little time at home as he could. She understood it was her father’s way of dealing with the loss of his wife, and never complained about his absence.
After Jasmine’s death, Julia had withdrawn into herself. Alicia had seen the pain of loss written on her face. Yet, try as she might to help and comfort, from the start, Julia seemed to resent Alicia’s well-meaning protectiveness. And as she grew through the difficult, teenage years, she had been unwilling to open up to Alicia about school, friends or boyfriends, building a wall around her private thoughts and spending all her free time perfecting her technique on the piano.
Alicia had actually come to view the ‘set of teeth’, as she called the upright piano in the study, as her rival for Julia’s affections. And her sense of responsibility to take care of Julia – it was the last thing her mother had asked of her – overrode her own wants and needs. At eighteen, Alicia had won a place at Durham University to study psychology, but Julia was still at school. Even though there was a housekeeper to take care of their domestic needs and stay overnight when George was away, she didn’t feel she could leave Julia alone. She’d gone to university in Norwich instead and, subsequently, in the year Julia had won a place at the Royal College of Music and moved to London, she’d met Max.
Her unnatural, often lonely childhood had made Alicia dream of a husband, a large family and a comfortable home to put them in. Unlike her sister, who suffered from the same wanderlust as her father, Alicia craved security and love. Max proposed and they were married within six months. She was pregnant within the year with Rose and, since then, had concentrated on giving her children all the things she had never known during her own formative years.
If her horizons had been narrowed because of her past, Alicia accepted them. What she found harder to accept was her younger sister’s continued antipathy. As Julia’s career had taken off, and she’d become a celebrity in the classical music world, Alicia had rarely heard from her. Seven months ago, Julia had needed her again, and Alicia had been there for her immediately, to bring her home to Norfolk, to try and comfort her. Yet she still felt the same distance and undercurrent of tension between them.
Just as twenty years ago, Alicia simply did not know how to reach her sister.
‘Mummy, I’m baking fairy cakes for tea. Where’s the tray to put them on?’
Alicia looked up and saw Kate at the sitting-room door. She roused herself from her thoughts and stood up.
‘On my way, darling, on my way.’
4
When Julia awoke the following morning, she lay there, waiting for the dark thoughts to assail her mind as they always did – the feeling of hopelessness that insidiously consumed the first few positive seconds when she was too sleep-ridden to remember.
They didn’t arrive.
And so, rather than rolling over and clapping her hands to her ears, as if to uselessly block out the thoughts, she decided to get up instead.
She walked over to the bedroom window and pulled open the curtains.
The cottage – which was a basic, two-up, two-down – had been particularly popular with holidaymakers because of the magnificent view. Perched high on a grassy knoll, just a few seconds’ walk from Blakeney High Street, it had the convenience of being in the village, yet the peace and open aspect of its elevated position.
Today, the sun was shining its crisp January light on the frost-covered hillock. Below was Blakeney harbour, and beyond that the sea. She opened the latch on the small window, flung it wide and breathed deeply. Today, Julia thought, it was actually possible to