The Noh Plays of Japan

Read The Noh Plays of Japan for Free Online Page A

Book: Read The Noh Plays of Japan for Free Online
Authors: Arthur Waley
Tags: Poetry
prince of the House of Taira named Tsunemasa, Lord of Tajima, who since his boyhood has enjoyed beyond all precedent the favor of our master the Emperor. But now he has been killed at the Battle of the Western Seas.
    It was to this Tsunemasa in his lifetime that the Emperor had given the lute called Green Hill. And now my master bids me take it and dedicate it to Buddha, performing a liturgy of flutes and strings for the salvation of Tsunemasa's soul. And that was my purpose in gathering these musicians together.
    Truly it is said that strangers who shelter under the same tree or draw water from the same pool will be friends in another life. How much the more must intercourse of many years, kindness and favor so deep . . . *
    Surely they will be heard,
The prayers that all night long
With due performance of rites
I have reverently repeated in this Palace
For the salvation of Tsunemasa
And for the awakening of his soul.
    CHORUS
    And, more than all, we dedicate
The lute Green Hill for this dead man;
While pipe and flute are joined to sounds of prayer.
For night and day the Gate of Law
Stands open and the Universal Road
Rejects no wayfarer.
    TSUNEMASA (speaking off the stage )
    "The wind blowing through withered trees: rain from a cloudless sky.
The moon shining on level sands: frost on a summer's night." *
Frost lying...but I, because I could not lie at rest,
Am come back to the World for a while,
Like a shadow that steals over the grass.
I am like dews that in the morning
Still cling to the grasses. Oh pitiful the longing
That has beset me!
    GY Ō KEI
    How strange! Within the flame of our candle that is burning low because the night is far spent, suddenly I seemed to see a man's shadow dimly appearing. Who can be here?
    TSUNEMASA (his shadow disappearing )
    I am the ghost of Tsunemasa. The sound of your prayers has brought me in visible shape before you.
    GY Ō KEI
    "I am the ghost of Tsunemasa," he said, but when I looked to where the voice had sounded nothing was there, neither substance nor shadow!
    TSUNEMASA
    Only a voice,
    GY Ō KEI
    A dim voice whispers where the shadow of a man
Visibly lay, but when I looked
    TSUNEMASA
    It had vanished—
    GY Ō KEI
    This flickering form...
    TSUNEMASA
    Like haze over the fields.
    CHORUS
    Only as a tricking magic, A bodiless vision,
Can he hover in the world of his lifetime,
Swift-changing Tsunemasa.
By this name we call him, yet of the body
That men named so, what is left but longing?
What but the longing to look again, through the wall of death,
On one he loved?
"Sooner shall the waters in its garden cease to flow
Than I grow weary of living in the Palace of my Lord." *
Like a dream he has come,
Like a morning dream.
    GY Ō KEI
    How strange! When the form of Tsunemasa had vanished, his voice lingered and spoke to me! Am I dreaming or waking? I cannot tell. But this I know—that by the power of my incantations I have had converse with the dead. Oh! marvellous potency of the Law!
    TSUNEMASA
    It was long ago that I came to the Palace. I was but a boy then, but all the world knew me; for I was marked with the love of our Lord, with the favor of an Emperor. And, among many gifts, he gave to me once while I was in the World this lute which you have dedicated. My fingers were ever on its strings.
    CHORUS
    Plucking them even as now
This music plucks at your heart;
The sound of the plectrum, then as now
Divine music fulfilling
The vows of Sarasvati. *
But this Tsunemasa,
Was he not from the days of his childhood pre-eminent
In faith, wisdom, benevolence,
Honor and courtesy; yet for his pleasure
Ever of birds and flowers,
Of wind and moonlight making
Ballads and songs to join their harmony
To pipes and lutes?
So springs and autumns passed he.
But in a World that is as dew,
As dew on the grasses, as foam upon the waters,
What flower lasteth?
    GY Ō KEI
    For the dead man's sake we play upon this lute Green Hill that he loved when he was in the World. We follow the lute-music

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